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Live vs. Edited Studio Recordings: What Do We Prefer?
18386
Pras, Amandine
Paris Conservatoire (CNSMDP), Paris, France; Stetson University, DeLand, FL, USA
September 2016
Engineering Brief
Free to AES members & instutions and $33 to non-members
Audio+: A Research Forum to Transform our Traditions
21219
McNally, Kirk; Pras, Amandine
University of Victoria, BC, Canada; University of Lethbridge, AB, Canada; EHESS, Paris, France
July 2021
Conference Paper
Open Access (Free to all)
Subjective Evaluation of Binaural Renderers in Music Composition and Mixing
22576
Zhang, Haoping; Pras, Amandine
School of Arts and Creative Technologies, University of York, United Kingdom; School of Arts and Creative Technologies, University of York, United Kingdom
2024
Express Paper
Open Access (Free to all)
Lethbridge Lament - Exploring musical genres through experiential learning in the studio
21221
McDermott, Courtney; Pras, Amandine
University of Lethbridge, Alberta, Canada; EHESS, Paris, France
July 2021
Conference Paper
Open Access (Free to all)
Is Binaural Spatialization the Future of Hip-Hop?
20643
Turner, Kierian; Pras, Amandine
University of Lethbridge, Lethbridge, AB, Canada; School for Advanced Studies in the Social Sciences, Paris, France
October 2019
Convention Paper
Free to AES members & instutions and $33 to non-members
The Impact of Producers’ Comments and Musicians’ Self-Evaluation on Performance During Recording Sessions
16104
Pras, Amandine; Guastavino, Catherine
McGill University - CIRMMT, Montreal, Quebec, Canada
October 2011
Convention Paper
Free to AES members & instutions and $33 to non-members
De-fetishizing audio signals and technologies in Bamako (Mali)
22219
Pras, Amandine; Olivier, Emmanuelle
School of Arts and Creative Technologies, University of York; CNRS, Centre George Simmel, EHESS Paris
September 2023
Conference Paper
Open Access (Free to all)
Alternative Pedagogy in the Banff Practicum: Promoting Non-formal Learning, Diversity, and Excellence in Audio Education
22505
Menon, Leonard; Pras, Amandine
Centre for Interdisciplinary Research in Music Media and Technology, Montréal, Québec, Canada, and Music Department, Faculty of Fine Arts, University of Lethbridge, Alberta, Canada; Centre for Interdisciplinary Research in Music, Media and Technology (CIRMMT), Montreal, Quebec, Canada
2024
Convention Paper
Open Access (Free to all)
Sampling Rate Discrimination: 44.1 kHz vs. 88.2 kHz
15398
Pras, Amandine; Guastavino, Catherine
McGill University, Montreal, Quebec, Canada
May 2010
Convention Paper
Free to AES members & instutions and $33 to non-members
Augmented Reality to Improve Orchestra Conductors’ Headphone Monitoring
18598
Soudoplatoff, Dimitri; Pras, Amandine
Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), Paris, France; University of Lethbridge, Lethbridge, AB, Canada
May 2017
Convention Paper
Free to AES members & instutions and $33 to non-members
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