Authors - AES

An Evaluation of Two Microphone Techniques for Bleed Reduction Using Independent Component Analysis

Authors: Rau, Mark; Woszczyk, Wieslaw

Affiliation: McGill University, Montreal, QC, Canada

Publication Date: September 2016

Type: Convention Paper

Cost: Free to AES members & institutions and $33 to non-members

An “Infinite” Sustain Effect Designed for Live Guitar Performance

Authors: Rau, Mark; Das, Orchisama

Affiliation: Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, CA, USA

Publication Date: October 2017

Type: Convention Paper

Cost: Free to AES members & institutions and $33 to non-members

Evaluation of a Higher Order Ambisonic Renderer with Reverberation Compensation via Crosstalk Inversion

Authors: Tung, Alex; Rau, Mark

Affiliation: MIT; MIT

Publication Date: June 2026

Type: Conference Paper

Cost: Free to AES members & institutions and $33 to non-members

Blind Estimation of the Reverberation Fingerprint of Unknown Acoustic Environments

Open Access

Authors: Murgai, Prateek; Rau, Mark; Jot, Jean-Marc

Affiliation: Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, CA, USA; Magic Leap, Sunnyvale, CA, USA

Publication Date: October 2017

Type: Convention Paper

Cost: Open Access (Free to all)

Interpolation and Display of Microphone Directivity Measurements Using Higher Order Spherical Harmonics

Authors: Ziegler, Jonathan D.; Rau, Mark; Schilling, Andreas; Koch, Andreas

Affiliation: Stuttgart Media University, Stuttgart, Germany; Eberhard Karls University Tübingen, Tübingen, Germany; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, CA, USA; Eberhard Karls University Tuebingen, Tuebingen, Germany

Publication Date: October 2017

Type: Convention Paper

Cost: Free to AES members & institutions and $33 to non-members

Author

Author: Rau, Mark

An Evaluation of Two Microphone Techniques for Bleed Reduction Using Independent Component Analysis

An “Infinite” Sustain Effect Designed for Live Guitar Performance

Evaluation of a Higher Order Ambisonic Renderer with Reverberation Compensation via Crosstalk Inversion

Blind Estimation of the Reverberation Fingerprint of Unknown Acoustic Environments

Interpolation and Display of Microphone Directivity Measurements Using Higher Order Spherical Harmonics

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