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Preliminary Program – Papers

Paper Presentations

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• Noise-resistant correlation-based alignment of head-related transfer functions for high-fidelity spherical harmonics representation
  • Jonas Reijniers, Bart Partoens and Herbert Peremans
    
• Liminal Spaces: Composing for a New Layered Immersive Spatial Audio System
  • Eric Lyon, Ben Knapp, Tanner Upthegrove and Bandon Hale
• Perceptual Comparison of Parametric Spatial Audio Codings for Binaural Rendering
  • Benjamin Stahl and Stefan Riedel
    
• The hartufo tookit for maching learning with HRTF data
  • Johan Pauwels
    
• Room Impulse Response Estimation in a Multiple Source Environment
  • Kyungyun Lee, Jeonghun Seo, Keunwoo Choi, Shangbae Chon and Sangmoon Lee
    
• Robust Binaural Measurements in the Ear Canal Using a Two-Microphone Array
  • Victor Gunnarsson and Sead Smailgić
    
• On the perception of musical groove in large-scale events with immersive sound
  • Thomas Mouterde, Nicolas Epain, Samuel Moulin and Etienne Corteel
• Parametric architecture for the transmission and binaural reproduction of microphone array recordings
  • Leo McCormack, Christoph Hold and Archontis Politis
• Impact of standing waves on human auditory perception of low-frequency direction
  • Madalina Anamaria Nastasa, Ville Pulkki and Aki Mäkivirta
• Exploring the influence of multichannel soundtracks on film immersion
  • Joseph Williams, Jon Francombe and Damian Murphy
• Recreating a multi-loudspeaker experiment in virtual reality
  • Matthias Frank and Djordje Perinovic
• A commonly-accessible toolchain for live streaming music events with higher-order ambisonic audio and 4k 360 vision
  • Bartłomiej Mróz, Piotr Odya, Przemysław Danowski and Marek Kabaciński
• The role of source signal similarity in distinguishing between different positions in a room
  • Thomas Mckenzie, Nils Meyer-Kahlen and Sebastian J. Schlecht
• A VQ-VAE for Individualized HRTF Modeling – Obtaining Full-Resolution HRTFs from Spatially Sparse Measurements
  • Devansh Zurale and Shlomo Dubnov
    
• Designing Immersive Audio for a Location-Based Augmented Reality Experience in a Museum Setting
  • Frank Duchêne and Jukka Holm
• Blind estimation of ensemble width in binaural music recordings using ‘spatiograms’ under simulated anechoic conditions
  • Paweł Antoniuk and Sławomir Zieliński
• Cross-Correlation-Based Time-Aligned Interpolation of Head-Related Impulse Responses
  • Christoph Pörschmann, Tim Lübeck and Johannes M. Arend
• Towards the neurophysiological characterization of immersive attributes in 3D auditory events
  • Norberto E. Naal-Ruiz, Hyunkook Lee, Andrea González Sánchez, Rodrigo Gonzalez, Mathilde Marie Duville, Luz M. Alonso-Valerdi and David I. Ibarra-Zarate
• Hearing from within a sound: A series of techniques for deconstructing and spatialising timbre
  • Lewis Wolstanholme and Cyrus Vahidi
• Avatar representation in Extended Reality for Immersive Networked Music Performance
  • Anthony Hunt, Gavin Kearney and Helena Daffern
• Perceptual dimensions of listener envelopment (LEV) in a positional and directional-varying context
  • Bogdan Bacila and Hyunkook Lee
• Perceptual thresholds of Spatial Room Impulse Response decomposition of direct sound and reverberation
  • Jacob Cooper, Helena Daffern and Gavin Kearney
• Object-Based Workflows in Live Sports Broadcasting using AI-Based Mixing and Next Generation Audio
  • Aimée Moulson, Yannik Grewe, Ben Shirley, Rob Oldfield and Ulli Scuda
• Evaluating the Interaural Thresholded Level Distribution as a psychophysically-motivated metric of auditory source width
  • Christian S. E. Cotton, James Blake, Ethan Stanhope, Stephen G. Oxnard and Laurence J. Hobden
• Scalable and Efficient Prediction of Personalized Head Related Transfer Functions and Headphone Equalization Using Machine Learning Techniques based on Video Capture
  • Nikhil Javeri, Prabal Bijoy Dutta, Kaushik Sunder and Kapil Jain
• Investigating the Impact of Room Divergence Effect on the Film Watching Experience in Multi-Channel Binauralized Content
  • Tudor Petrea and Hyunkook Lee
• Six degrees-of-freedom room impulse response dataset measured over a dense loudspeaker grid (6DRIR-DL)
  • Jung-Woo Choi and Franz Zotter
• HOA-SSR: The Development of a high quality 360° Audio-Visual Database
  • Søren Legarth, Nick Zacharov and Jesper Udesen
• Projecting Source Directivity Variations onto an Existing Binaural Room Impulse Response
  • Pablo Abehsera Morell, David Poirier-Quinot and Brian F.G. Katz
• Inclusive practice and accessible interactions with reverberation for B/blind users in virtual environments – a review of literature
  • Luke Child, Natanya Ford and Tom Mitchell
• Effect of Personalized HRTFs in a Real-World Environment: A Study in E-sports Tournaments
  • Kaushik Sunder and David Jeong
• Detection Threshold of Head-Tracking Latency with and without individualized HRTFs in Binaural Rendering
  • Clément Rappin, Julian Palacino, Pascal Rueff, Laurent Feichter and Mathieu Paquier
• A DAW-based approach to immersive audio system evaluation in Network Music Performance contexts
  • Patrick Cairns, Gavin Kearney and Helena Daffern
• Generation of Synthetic Early Reflections for Artificial Reverberation
  • Ilias Ibnyahya and Joshua Reiss
• A Listening Test Evaluation of Spatial Sound Technologies in Music Production: Dolby Atmos and Ambisonics
  • Pawel Malecki, Joanna Stefańska, Maja Szydłowska and Małgorzata Tęczyńska Kęska
• Frequency Dependency of Loudness Perception for Immersive Audio Formats
  • Samuel Dickinson
• Creating navigable auralizations using RIR convolution: Impact of grid density and panning method on perceived source stability
  • Julien De Muynke, David Poirier-Quinot and Brian F. G. Katz
• Use of Immersive Audio as an Assistive Technology for the Visually Impaired: A Systemic Review
  • Cameron Jones and Steven Fenton
• SoniCross: Investigations into sonification methods for quiet vehicles using audio-visual virtual reality simulation
  • Iason Svoronos-Kanavas and Hyunkook Lee
• An Investigation Into Immersive Contemporary Popular Music Mixing Practice
  • Andrew Bourbon, Matthew Watson, Dawid Stelmach, Michael Champion, Steven Fenton, Hyunkook Lee and Ansh Chomal
• Virtual 3D microphone arrays by virtual sound sources detected from FOA responses.
  • Masataka Nakahara, Yasuhiko Nagatomo and Akira Omoto
• Nightports at Hull Minster: real and virtualised, live loudspeaker array spatialisation of electronic music performance, anchored to place
  • Matt Barnard, Mark Slater and Adam Martin
• Practical applications of Ambisonics in eXtended Reality media: from recording and post-production to game-engine implementations.
  • Luke Reed, Olga Molchanova Reed and Natanya Ford
• Pros and cons of artificial head and ambisonics recordings and reproductions used in design processes
  • Arne Nykänen and Kristin Nedlich
• Immersive audio as a tool for the preservation and transference of musical heritage: Music and spaces in 19th-century Colombian music
  • Marco Antonio Juan de Dios Cuartas and Jorge Mario Valencia Upegui
• Comparative Analysis of Binaural Renderers: Evaluating Translation and Quality of Experience Across Different Music Genres
  • Rohith Sakthy and Hyunkook Lee
• Exploring experience and expertise in the context of preference for spatial sound treatment in immersive environments
  • Angela McArthur, Andrew Johnston, Mark Sandler, Sam Ferguson and Rebecca Stewart
• A Novel Algorithm for Volumetric Amplitude Panning and Diffusion in Spatial Audio Production
  • Saarish Kareer and Kaushik Sunder
• User Preference Evaluation of Direct-to-reverberant Sound Ratio of Virtual Ambisonic Listening Spaces
  • Tomasz Rudzki, Damian Murphy and Gavin Kearney
• Localisation in virtual choirs: outcomes of simplified binaural rendering
  • Kajornsak Kittimathaveenan and Sten Ternström
• Do-it-yourself headphones and development platform for augmented-reality audio
  • Alexander Mülleder, Michael Romanov, Nils Meyer-Kahlen and Franz Zotter
    
• The Perceptibility Threshold of Binaural Beats to Create a Spatial Impression
  • Lasse Nipkow and Hyunkook Lee
• Preservation and reproduction of the spatial radiation characteristics by the equivalent source method and the modularized source system
  • Wan-Ho Cho
• ORTF-2plus2: A stereophonic spot microphone technique for 3D Audio
  • Helmut Wittek
• Spatio-sonic site survey using ambisonics recordings and VR rendering – designing soundscapes in the early planning process
  • Kristin Nedlich, Arne Nykänen and Björn Hellström
• Analysis of listener’s preference in subjective assessment of multichannel audio on electronic devices
  • Fesal Toosy, Muhammad Sarwar Ehsan, Stefan Poslad and Joshua Reiss
• Using Personal HRTF and Binauralized Headphone Monitoring in Immersive Soundtrack Post Production
  • Henri Takala, Aki Mäkivirta and Petteri Rajanti
• Sound Environment Control Using an Immersive Audio System – Advancing Sound Experiences for Creators and Listeners Using Active Field Control –
  • Dai Hashimoto, Hideo Miyazaki, Ron Bakker and Sungyoung Kim
• Creating In-air 3D sound objects for immersive sound applications and electroacoustic music
  • Paul Geluso, Lars Graugaard and Donald Martin
• Miniature Line Array for Immersive Sound Reinforcement
  • Lukas Gölles and Franz Zotter
• Requirements for 6DoF audio service and 6DoF audio metadata
  • Takehiro Sugimoto, Tomomi Hasegawa, Taishi Iwasaki, Hiroki Kubo, Satoshi Oode and Hiroyuki Okubo
    
• Relative distance perception of a position-dynamic nearby virtual sound source
  • Yuqing Li, Stephan Preihs and Jürgen Peissig
• Case Studies in Music Production for 3D Audio Reproduction with Bottom Channels
  • Will Howie, Toru Kamekawa and Miki Morinaga
• Employing the Processing Capability of Mixing Consoles and Audio Interfaces to Spatialize Sound
  • Richard Foss
• RoomZ: Spatial panning plugin for dynamic auralisations based on RIR convolution
  • Poirier-Quinot David, Peter Stitt and Brian Katz
• Near-field binaural rendering: evaluating the natural channel separation of loudspeakers mounted in a headrest
  • Ethan Stanhope, Laurence J. Hobden and Stephen G. Oxnard
    
• Torso Effects in HRTF
  • Jaan Johansson, Aki Mäkivirta and Matti Malinen
• Objective comparison of 3D audio reproduction with and without bottom channels
  • Will Howie, Toru Kamekawa, Florian Grond, Atsushi Marui and Akira Omoto
• The effect of head tilt on the perception of the top layer of three-dimensional audio
  • Toru Kamekawa, Atsushi Marui and Will Howie
• Immersive Audio Test Signals for Musical Applications
  • Arthur Moelants