Location

Dolby 88 –1350 Avenue of the Americas Ste. 2400, New York

Organizer

AES
AES

The Audio Engineering Society's mission is to promote the science and practice of audio by bringing leading people and ideas together.

Speakers

  • Julius Dobos
    Composer

    Bio: ulius Dobos is an award-winning, platinum-album European-American composer, sound synthesist, music director and mastering engineer. He is best known for his 11 electronic and electro-orchestral albums, music produced for film, television, installations, theme music for major events and international brands. His composition credits span over 30 years and include the original score for the Dragon Ball Z series, NCIS, music produced for You Don’t Mess with the Zohan, Paul Blart: Mall Cop, The Zookeeper, collaboration with Grammy®-awarded artist Martha Sebestyen, Erykah Badu, and a colorful list of commissioned music & sound design works. For his forgotten future project-series, Dobos crafts one-of-a-kind, organic electronic music with a distinct style and sonic character. His live performances and immersive soundscapes have attracted audiences worldwide. His Los Angeles Human Intelligence Control show featured a novel musical experience through digitally-tracked interaction with the audience. Dobos is a Distinguished Professor at the University of Silicon Valley, a published author and speaker on electronic music and production culture, spatial synthesis and spatial composition. His recent research on spatial composition was published by the AES and has drawn interest from institutions of music technology around the globe. He is a BMI and Artisjus writer, industry advisor, music technology beta-tester, and the former Vice Chair of the Audio Engineering Society’s San Francisco section.

  • BZ Lewis
    Producer

    Bio: BZ Lewis is a producer/engineer, working in Stereo and Dolby Atmos. He’s been in the biz for 30+ years, earning six Emmy Awards and a multitude of other recognitions and awards along the way via his recording studio, Studio 132. His favorite thing is using immersive audio to help tell the story of the artists he works with. His work includes projects with Intel, Google, Microsoft, Apple, Sony, Ridley Scott; TV shows include The World Poker Tour, People Magazine investigates, Dateline, too many MTV credits to mention; and his band production credits encompass such artists as Roberta Flack, Blame Sally, Ann Moss, Victor Krummenacher, Kitka, Swordtongue, Magilo, Samri, Monica Pasqual, and Chelsea. BZ Lewis is a voting member of the Grammys, a BMI member writer and publisher, chair of the Audio Engineering Society’s San Francisco chapter, and is currently enjoying publishing deals with Media Creature Music, Iron Mike Publishing, and BOK music in L.A.

Location

Dolby 88 –1350 Avenue of the Americas Ste. 2400, New York

AES

Organizer


AES

The Audio Engineering Society's mission is to promote the science and practice of audio by bringing leading people and ideas together.

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Date

Jun 23 2026

Time

6:00 pm - 7:30 pm

AES NY Section presents” Spatial Composition: The New Frontier at Dolby88

Event Description: Tickets are free but limited. Join AES NY Section and music industry colleagues as we explore SPACE as compositional element – and its effects on audio production – at Dolby Labs’ New York Screening Room. Composers have been using melody, rhythm, and harmony for thousands of years. Musique concrète expanded the use of timbre 75 years ago. Are we at the verge of another musical disruption? What if, using space as a compositional tool, songwriters, composers, and producers not only mixed but composed in immersive systems? Can SPACE become a new element of music? Following the tremendous success of its recent premiers in San Francisco and Hollywood, AES New York invites you to this industry-exclusive event: the latest research presentation and demonstration about the use of space in music composition and production, by composer Julius Dobos and producer BZ Lewis. Audio engineers, producers, composers, songwriters and music creators of all disciplines are encouraged to join us to network, explore SPACE as an element of music composition, and experience demonstrations of new, spatially-composed music & immersive mixes in the Dolby 88. When: Tuesday, June 23, Doors at 5:00pm

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