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AES Section Meeting Reports

Toronto - June 26, 2007

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Summary

Due to the size of the meeting, everyone was divided into three groups, which each group cycling through various upgraded control rooms.
The CBC's first upgrade was to a mobile truck, using the Premiere System. After which, Room 42 was upgraded, this is a production control room. All of the technology upgrades has been considered as part of one larger upgrade, there is heavy use of fibre to allow for direct connectivity between various parts of the building.

One interesting point that was made is that training is a concern. The upgrades present two realities: there are changes in how the work is done, e.g. patching via a cable is no longer as important as routing via a switcher. Secondly, the size of the work force at the CBC presents a challenge in of itself.

Studio 52 is CBC's first High-Definition new control room, which is the control room for their evening news program, "The National". Although not yet broadcast in high-definition, the new control room is fully equipped for 5.1 sound.

Also visited during the tour was Room 45, which is the room where the popular comedy program "The Air Farce" is mixed. This program is produced in 5.1, but is only transmitted as a two-channel encoded surround.

Finally, a large control room has been upgraded to the "Imax" surround sound standard to allow for mixing of large format movies, a short clip was viewed on this system.

During the question and answer period, there was considerable discussion on the use of metatags and how what is ultimately transmitted on the network may not entirely represent what was heard in the control room.

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AES - Audio Engineering Society