Meeting Review, September 21, 2010
9/21/10
Meeting Highlights The
Presented
by: Fredric S. Thompson and Rebecca Elliott The September 2010
meeting of the Chicago AES Section was held at The Chicago School of Violin
Making, located in Mr.
Thompson started his presentation by first indicating his concern that he was
the only one wearing a pocket protector.�
He then informed us that the school was originally founded as the
Kenneth Warren & Son School of Violin Making in 1975 under the direction
of Master Violin Maker Tschu Ho Lee (from the
inception through today) and in December 2002 the school incorporated as a
not-for-profit entity.� The school
offers a full-time, three-year program in violin making and repair to an
international student body.� Their goal
is to teach the basic fundamentals in violin making based on the quality
craftsmanship that was developed by the classical masters in the 17th
and 18th centuries. Mr.
Thompson and Ms. Elliott presented side by side in providing a history of the
violin, demonstrated the various parts of a violin by passing them around the
room, and offered various insights to their program and the processes of
violin making such as: �
Their violin designs have German, French, and Italian
influence � even to the detail that they work in the metric system; �
They use maple for the sides, back, neck, and bridge of
the violin; spruce for the top and bass bar due to its highest strength to
weight ratio; and ebony for the fingerboard, pegs, and tail pieces; �
They do not use templates in order to teach the students
to use their eyes � hand-eye coordination; all their work is done by hand
using hand tools; �
They do not perform acoustic measurements on their
materials or products; rather they use �tap� tones by tapping on the wood to
hear the vibration modes, pitch, and quality; After
the presentation, the group was able to move freely about the facility to
engage the presenters and students that were at their respective benches
demonstrating their work.� The audience
enthusiastically asked many questions during both the presentation and during
the tour.� Highlights of this type of
tour included the ability to touch and hold the various tools, materials, and
finished violins in addition to speaking with the students and staff regarding
real-time activities. The
Chicago AES Section would like to extend a special thanks to Fredric Thompson
and Rebecca Elliott, Co-Directors at The Chicago School of Violin Making, for
hosting this meeting. |