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Audio
Engineering Society
Chicago SectionMeeting Recap - November 15, 2011
AES
Chicago Section Meeting Notice
TOPIC:
A
Firsthand-Look at Five Decades of Audio Development
PRESENTER:
Tom Jung
DATE:
Tuesday, November, 15, 2011
TIME:
7:30pm; dinner (optional) at 6:30pm
LOCATION:
Shure Incorporated, 5800 W. Touhy Ave,
Niles, IL 60714 ABOUT THE PRESENTATION:
The
Progress of Audio Quality: the Good, the Bad, and the Ugly
ABOUT
THIS MONTH’S SPEAKER:
A
professional audio engineer for almost 50 years (Sound 80, DMP
Records), Mr. Jung began his professional audio engineering career
in the early 1960s and went on to co-found the famous
Minneapolis-based Sound 80 studio, that recorded such artists as
Cat Stevens, Leo Kottke and Bob Dylan. Known to most in the audio
biz as TJ, he moved to New York in 1979 as a freelance engineer —
recording movie scores (Cotton Club, Annie) and working with
several pop labels. In 1983, he created DMP (Digital Music
Products), which was one of the first labels to record jazz with
the fledgling digital PCM technology used for CDs. DMP recorded
and created CDs for numerous top-tier jazz acts. Tom received a
Grammy in 2001 for the Bob Mintzer Big Band — Homage to Count
Basie. Always in pursuit of the next generation of better-sounding
audio technology, Tom Jung worked with PCM up to 24-bit. In the
late 1990s, he switched to the DSD (Direct Stream Digital) system
and recorded some of the best-sounding stereo and multichannel
high-resolution titles ever produced. He created a number of
splendid DSD-recorded discs for DMP, such as Steve Davis —
Quality of Your Silence, Joe Beck and Ally Ryerson — Alto; and
Bob Minzter — Gently, to name a few.
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