Meeting Review,
In 1997, WFMT in � A wide array of topics, all related in some way to
classical recording and broadcast, were covered in a very interactive
presentation including a live recording and a tour of the control room and
catwalk. Engineer Bill Maylone, who collaborated
with Chris Willis on two recordings worthy of Grammy nominations for Best
Engineer-Classical, participated as well. Early arrivals were lucky enough to watch a live choir
recording from the control room and ask Mr. Willis questions about the
process. The group then collected on the Orchestra Hall stage for a lively
discussion with both Engineers. Some of the topics covered were microphones,
preamps, and other equipment, the history and acoustical constraints of the
hall, particular microphone techniques for different situations, signal
processing both for recording and broadcast, the effect of the sound
reinforcement system, mastering, delivery formats, and budgeting. After the discussion, small groups were led up to the
catwalk to view the organ pipes and the microphones and preamps located
there. Attendees waiting their turn lingered on the stage and admired the
hall, with some taking a turn at the pipe organ. This resulted in some of the
biggest smiles ever seen at an AES Chicago Section Meeting. |