AES 100th Convention
Bella Center Copenhagen, Denmark 1996 May 1114 |
Single Convention Preprints are available through the AES Preprint Search and Shop facility.
Preprints Listing #4141
Nikolai Bisgaard
Hearing AidsHigh Technology Solutions for the Hearing Impaired#4143
Evert W. Stuart
Application of Curved Arrays in Wave Field Synthesis#4144
Mark S. Ureda
Wave Field Synthesis with Horn Arrays#4145
Marinus M. Boone, Edwin N. G. Verheijen, and Gerald Jansen
Virtual Reality by Sound Reproduction Based on Wave Field Synthesis#4146
Wolfgant Ahnert and Rainer Feistel
Prediction of Wave Fields Synthesized by Speaker ClusterNeeds and Limitations#4148
Andrzej Czyzewski and Pawel Skórka
Modification of the Auditory Feedback Loop-Effects on Hearing and Speech Production#4149
Andrzej Czyzewski and Artur Lorens
Testing Some DSP Algorithms for Hearing Aids and Cochlear Implants#4150
Graham Naylor
Technical and Audiological Factors in the Implementation and Use of Digital Signal Processing Hearing Aids#4151
Maurycy J. Kin
Perception of Amplitude Modulation in Harmonic Complexes#4152
James Angus, David M. Howard, and Graham F. Welch
Singing Pitch Accuracy in Children Age 7 to 11#4154
William Treurniet
Simulation of Individual Listeners with an Auditory Model#4155
Dorte Hammershøi
Fundamental Aspects of the Binaural Recording and Synthesis Techniques#4156
Bernd Theiß and Malcolm O. J. Hawksford
Localization Experiments in Three-Dimensional Sound Reproduction#4157
Henrik Møller, Clemen Boje Jensen, Dorte Hammershøi, and Michael Friis
Sørensen Using a Typical Human Subject for Binaural Recording#4158
Ingolf Bork
Sound Radiation from a Grand Piano#4159
Michael Kaaber Harrit
Applied Delay on Support Microphones in Multi-Microphone Recording Technique#4160
Thomas Görne, Martin Schneider, and Martin Mader
Acoustical Perspective for the Spoken Voice#4162
Yoshio Kishi,ToshiroHashimoto, Takamoto Shimizui, Fumitoshi Ishida, and Katsuhiro Kido
24-bit, 48-ch Multichannel Recorder#4163
Ayataya Nishio, Gen Ichimura, Yoshizumi Inazawa, Norikazu Horikawa, and Tadeo Suzuki
Direct Stream Digital Audio System#4164
Erik Hardeng
Very High Capacity Digital Multimedia Storage System#4165
Karsten Hansen
Objective Reading of Loudness of a Sound Programme#4166
P. A. Frindle and P. C. Eastty
Implementation of Dynamics Section in a Digital Console Design#4167
David M. Smtih
In-Studio Field Testing of a 32-Bit Fixed-Point Digital Recording Console#4168
Tomasz Jeneczko
Synthesis of Complex Audio Spectra by Computer Simulation of Chua's Circuit#4169
Bozena Kostek and Marek Szczerba
MIDI Database for the Automatic Recognition of Musical Phrases#4170
Slawomir K. Zielinski
Digital Waveguide Modeling Versus Mathematical Modeling of Organ Flue Pipe#4171
Manuel A. Sobreira Seoane and Ricardo Mateo Santos
Acoustic Characteristics of the Saxaphone Family#4172
Marianna Sankiewicz and Gustaw Budzynski
Analysis of Disonances in Carillon Chords#4173
Bozena Kostek and Alicja Wieczorkowska
Study of Parameter Relations in Music Instrument Patterns#4174
Suzanne Ritscher and Uwe Felderhoff
Cascading of Different Audio Codecs#4175
Lars Bransløw Nielsen
Subjective Assessment of Audio Codecs and Bitrates for Broadcast Purposes#4176
John G. Beerends, Willem A. C. van den Brink, and Birgitte Rodger
The Role of Informational Masking and Perceptual Streaming in the Measurement of Music Codec Quality#4177
Anibal J. S. Ferreira
Perceptual Coding of Harmonic Signals#4178
Antonio S. Pena, Carlos Serantes, and Nuria G. Prelcic
ARCO (Adaptive Resolution COdec): A Hybrid Approach to Perceptual Audio Coding#4179
Bernd Edler, Heiko Purnhagen, and Charalampos Ferekidis
ASACAnalysis/Synthesis Audio Codec for Very Low Bit Rates#4180
Rafal Królikowski and Stanislaw Stefanowski
Noise Reduction in Old Musical Recordings Using the Perceptual Coding of Audio#4181
Lars G. Johansen and Per Rubak
The Excess Phase in Loudspeaker/Room Transfer Functions: Can It Be Ignored in Equalization Tasks?#4182
Marek Niewiarowicz and Adam Micklewicz
The Analysis of Spatial Distribution of Signals Emitted by a Loudspeaker System#4183
J. R. Wright
Fundamentals of Diffraction#4184
Bill Tsakiris, Aristoteles Sdravopoulos, and Soterios Salamouris
Finite Baffle Dipole Speakers with Electrodynamic Drivers: Design, Implementation, Measurements, and an Experiment of Digital Equalization#4185
David J. Murphy
Modeling the Directivity of Loudspeakers#4186
Mathat Konar
Vertically Symmetric Two-Way Loudspeaker Arrays Reconsidered#4187
Juan José Gómez, Manuel Recuero, and José Luis Sánchez
The Use of Computer Simulations in Electroacoustic Transducer Teaching#4188
Peter Fels
20 Years of the Delta Stereophony SystemHigh-Quality Sound Design#4189
Attila Baldini
DSP and MIDI Applications in Loudspeaker Design#4190
Karsten Bo Rasmussen
How to Take Absorptive Surfaces into Account When Designing Outdoor Sound Reinforcement Systems#4191
R. Walker
Optimum Dimension Ratios for Small Rooms#4192
P. Darlington and M. R. Avis
Time/Frequency Response of a Room with Active Acoustic Absorption#4193
Charalampos Ferekidid and Uwe Kempe
Room Mode Excitation of Dipolar and Monopolar Low-Frequency Sources#4194
R. Walker
Room Modes and Low-Frequency Responses in Small Enclosures#4195
Søren Bech
Perception of Reproduced Sound: Audibility of Individual Reflections in a Complete Sound Field, III#4196
Warner R. Th. ten Kate, Kenzo Akagiri, Leon M. van de Kerkhof, and Michael J. Kohut
Scalability in MPEG Audio Compression: From Stereo via 5.1-Channel Surround Sound to 7.1-Channel Augmented Sound Fields#4197
Sung-Hee Park, Yeon-Bae Kim, and Yang-Seock Seo
Multi-Dimension Vector Quantization in High-Fidelity Audio Coding#4198
Giorgio Dimino and L. Morpurgo
Intra-Channel Prediction: A New Tool for the Subband Coding of High-Quality Audio#4199
Laurent Mainard
A Low Delay Encoding Scheme#4200
Fred Wylie
Predictive or Perceptual Coding...apt-X and apt-Q#4201
Anibal J. S. Ferreira
Audio Spectral Coder#4202
Anton Thimet and Mary Ann Seidler
J.52: A New Standard for Digital Transmission of ISO/IEC 11172-3 Coded Audio#4203
Frank Foti
Broadcast Signal Processing and Audio Coding: Are We Trying to Mix Oil with Water?#4204
Irina Aldoshina and Valery Brevdo
Theoretical and Experimental Analysis and Computer Simulation of Heat-Transfer Mechanisms in Electrodynamic Loudspeakers#4205
Knud Bank Christensen and Erling Sandermann Olsen Nonlinear Modeling of Low-Frequency LoudspeakersA More Complete Model4206
Tom Heed, Spiros Iraclianos, and Deborah Gruenhagen
Qualitative Analysis of Component Nonlinearities Which Cause Low-Frequency THD#4207
Andrzej B. Dobrucki, Piotr Pruchnicki, and Bronislaw Zoltógórski
Computer Modeling of a Loudspeaker Vibrating System#4208
G. P. Geaves and D. J. Henwood
Horn Optimization Using Numerical Methods#4209
Felicity Seidel and Henrik Staffeldt
Frequency and Angular Resolution for Measuring, Presenting, and Predicting Polar Data#4210
Graham Bank and M. O. J. Hawksford
Comparisons Between the Measured and Computed Performance of Ribbon Loudspeakers#4211
Neville Thiele
Precise Passive Crossover Networks Incorporating Loudspeaker Driver Parameters#4212
Malcolm Omar Hawksford
Minimum-Phase Signal Processing for Loudspeaker Systems#4213
Yukio Imai
Some Notes on the Walsh Functions and Its Applications#4214
John Valakas, Michael Paraskevas, and John Mourjopoulos
Pole-Zero Loudspeaker Response Analysis by Bandsplitting and Prony Modeling#4215
Richard Greenfield
Polar Response Errors in Digital Crossover Alignments#4216
José Manuel Neto Vieira
Digital Five-Band Equalizer with Linear Phase#4217
Eiichi Miyasaka, Akira Nakamura, Nobumasa Seiyama, Atsushi Imai, and Tohru Takagi
A New Approach to Compensate Degeneration of Hearing Intelligibility for Elderly Listeners#4218
Kazimierz Basciuk and Stefan Brachmanski
Relation Between Logatom Intelligibility and SNR Enchanced Speech#4220
Mikael Vest and Ole Stender Nielsen
Transmission of AES/EBU Time Codes in MPEG Layer II Audio Over ISDN Using ITU-T J.52#4221
Robin Caine
Timing in Digital Audio Systems: The Importance of AES11#4222
Bernhard Feiten
Pseudo-Stereo and Surround Sound by Matched FIR Filters#4223
Mick Masaki Sawaguchi, Akira Gakumazawa, Yuji Aida, and Hideyo Sasaki
HDTV Drama Multichannel Sound Production with 3-2/3-1/2 CH#4224
Bjørn Aarseth
The All-Digital Radio Station#4225
Ivan Stamac, AntunKrleza, and Ivo Urlicic
The New Broadcasting Complex of the Croatian Radio#4226
Jesper Sandvad
Dynamic Aspects of Auditory Virtual Environments#4227
Søren Krarup Olesen
An Integer-Based Ray Tracing Agorithm#4228
Bengt-Inge Dalenbäck, Mendel Kleiner, and Peter Svensson
Auralization, Virtually Everywhere#4229
Tapio Takala, Rami Hänninen, Vesa Välimäki, Lauri Savioja, Jyri Huopaniemi, Tommi Huotilainen, and Matti Karjalainen
An Integrated System for Virtual Audio Reality#4230
Marjan Sikora and Hrvoje Domitrovic
CODAComputerized Auralization#4231
Yannick Mahieux and Claude Marro
Comparison of De-Reverberation Techniques for Videoconferencing Applications#4232
Andrew Reilly and David S. McGrath
Audio Application Specific DSP Development in the Multi-Processor Huron Environment#4233
David S. McGrath and Andrew Reilly
A Suite of Tools for Creation, Manipulation, and Playback of Soundfields in the Huron Digital Audio Convolution Workstation#4235
Nuria Gonzalez-Prelcic, Santiago Gonzalez, and Antonio S. Pena
Considerations on the Performance of Filter Design Methods for Wavelet Packet Audio Decomposition#4236
J. Robert Stuart and Rhonda J. Wilson
Dynamic Range Enhancement Using Noise-Shaped Dither at 44.1, 48, and 96 kHz#4237
S. A. Azizi
Implementation of Digital Quadrature Oscillators with Reduced Roundoff Noise#4238
Leon van de Kerkhof, Gerhard Stoll, Günther Theile, and Warner ten Kate
Compatible Multichannel Audio Coding Techniques for DVB#4239
Cecylia Szmal
Subjective Evaluation of Sound Recordings Versus Sound Spectra#4240
Andrew Rimell and M. O. Hawksford
From the Cone to the Cochlea: Modeling the Complete Acoustical Path#4241
Rene Quesnel
Timbral Ear Trainer: Adaptive, Interactive Training of Listening Skills for Evaluation of Timbre#4242
M. P. Hollier and P. J. Sheppard
Objective Speech Quality Assessment: Towards an Engineering Metric#4244
D. R. Begault
Audible and Inaudible Early Reflections: Thresholds for Auralization System Design#4245
R. E. Shively and W. N. House
Perceived Boundary Effect in an Automotive Vehicle Interior#4246
Joachim Gerhard, Bernd Theiß, and Malcolm O. Hawksford
Loudspeaker Placement for Optimized Phantom Source Reproduction#4247
Andrei Chesnokov and Michael Lannie
Acoustics of the Church of the Intercession at Fili#4248
Jens Brummer
New Distributed Speech Reinforcement System in the Frederik's Church (the Marble Church), Copenhagen#4249
J. A. S. Angus and C. I. McManmon
Orthogonal Sequence Modulated Phase Reflection Gratings for Wideband Diffusion#4250
James Angus, J. Clegg, A. C. Marvin, and J. F. Dawson
Diffuse Versus Non-Diffuse Energy and the Effect of Acoustic Diffusers#4251
Werner Freitag and Peter George
Differentiating Between Sound Isolation and Sound Treatment#4252
Ole Lund Christensen
A Practical Guide to Acoustical Design of Control Rooms and Placement of Loudspeakers#4253
S. Yoshikawa, E. iyasaka, M. Sawagushi, M. Toyoshima, T. Fukunishi, S. Ishii, T. Wakatsuki, K. Kurozumi, H. Yanagawa, N. Yamada, M. Hori, and T. Saeki
Proposal for the Specification of Control Rooms for HDTV Multichannel Sound Program Production#4254
Jürgen Wahl
Application of Computer-Based Training (CBT) and Multimedia in Professional Audio#4255
Marina S. Jovanovic
Acoustics of BK TV Studio Alfa#4256
Michael Paraskevas and John Mourjopoulos
A Statistical Study of the Variability and Features of Audio Signals: Some Preliminary Results#4257
Jae Hoon Jeong, Nam Sung Jung, and Gyu Hyeong Cho
A High Efficiency Class-A Amplifier with Variable Power Supply#4258
Niels Anderskuov, Karsten Nielsen, and Michael A. E. Andersen
High-Fidelity Pulse Width Modulation Amplifiers Based On Novel Double-Loop Feedback Techniques#4259
Karsten Nielsen
High-Fidelity PWM-Based Amplifier Concept for Active Speaker Systems with a Very Low Energy Consumption#4261
Maury Wood
Analysis of Jitter Rejection of SRCs and DACs Using an NCO#4262
David G. Malham
Optimizing the Performance of 20-Bit Audio ADCs#4263
Hans Schurer, Peter Annema, Hans-Elias de Bree, Cornelis H. Slump, and Otto E. Herrmann
Comparison of Two Methods for Measurement of Horn Input Impedance#4264
Martin J. Reed and Malcolm O. Hawksford
Practical Modeling of Nonlinear Audio Systems Using the Volterra Series#4266
D. de Vries, A. J. Berkhout, and J. J. Sonke
Array Technology for Measurement and Analysis of Sound Fields in Enclosures#4267
Johan Ludvig Nielsen
Maximum-Length Sequence Measurement of Room Impulse Responses with High-Level Disturbances#4268
Peter Svensson and Johan Ludvig Nielsen
Errors in MLS Measurements Caused by Time-Variance in Acoustic Systems#4269
Frantisek Kadlec
Measurement of Distributed Acoustic Systems Using Maximum-Length Sequences#4270
Allen Mornington-West
ATM May Be Your Next HiFi#4271
David J. Hoare and Charles E. H. Francis
The Design of an Audio Multiprocessor#4272
Peter Fels, Ulf Wüstenhagen, and Gerhard Steinke
Methods and Apparatus for Multichannel Sound Reproduction#4273
Akira Fukada, Kanji Oshima, and Yasuhiro Okamoto
Surround Mixing Technique on a Dolby and 3-1 Discrete Quadraphonic Surround Sound for Live Broadcasting#4275
Ernst-Joachim Voelker
Home Cinema Surround SoundAcoustics and Neighborhood#4276
Doug Mitchell
Challenges in the Use of Aural Multimedia Program Material in Professional Audio and Education#4277
Peter John Chapman
Program Material Analysis#4278
Wolfgang Hoeg and Peter Grunwald
Visual Monitoring of Multichannel Audio Signals#4279
Peter Mapp
A Comparison Between STI and RASTI Speech Intelligiility Measurement Systems#4280
Thilo Thiede and Ernst Kabot
A New Perceptual Quality Measure for Bit-Rate Reduced Audio#4282
Gérard Perrot
Measurement of a Neglected Circuit Characteristic#4283
Emmanuel Granier
Comparing and Optimizing Audio Systems in Cars Workshop Preprints#4284
Eddy Bøgh Brixen
Spectral Degradation of Speech Captured by Miniature Microphones Caused by the Microphone Placing on Persons' Head and Chest#4285
Morten Knudsen
Loudspeaker Modelling and Parameter Estimation#4286
Gerhard Steinke
Surround SoundThe New Phase#4287
Roger Dressler
A Step Toward Improved Surround Sound: Making the 5.1-Channel Format a Reality#4288
Graham V. Hartstone
Experiences with Surround Sound#4289
Hans Schmid
Practical Experiences and Problems with Dolby Surround Music Recording#4290
Sieghert Schneider
Practical Experiences with Multichannel Postproduction#4291
David Kirby
Multichannel Sound: Experiences with Programme Mixing and Low Bit-Rate Coding#4292
Tomlinson Holman
The Number of Audio Channels#4293
S. M. F. Smyth, W. P. Smith, M. H. C. Smyth, M. Yan, and T. Jung
DTS Coherent Acoustics Delivering High Quality Multichannel Sound to the Consumer