AES Paris 2016
Workshops
Saturday, June 4
Saturday, June 4, 10:30 — 11:45
Session W1 Microphones: What Can We Measure and What Do We Hear?
Saturday, June 4, 10:30 — 12:00
Session W2 Immersive Audio for Virtual Reality
Saturday, June 4, 13:30 — 15:00
Session W3 Perceptual Evaluation of High Resolution Audio
Sunday, June 5
Sunday, June 5, 09:00 — 10:00
Session W4 Expert Transfer Techniques: A Special Focus on Mechanical Discs
Sunday, June 5, 10:15 — 11:15
Session W5 Practical Physics of Handling and Wind Noise
Sunday, June 5, 10:15 — 11:15
Session W6 Screaming Streaming—Loudness Peace Talks Are Mandatory
Sunday, June 5, 11:30 — 12:30
Session W7 Audio Recording and Productions for Virtual Reality/360-Degree Applications
Sunday, June 5, 11:30 — 12:30
Session W8 Low Frequency Behavior in Small High Accuracy Listening Environments
Sunday, June 5, 12:45 — 14:30
Session W9 Mixing Music: Part 2
Sunday, June 5, 12:45 — 13:45
Session W10 Binaural Sound in the Age of Radio and Television Broadcast: Why and How?
Sunday, June 5, 14:00 — 15:15
Session W11 "Coaching" the Mix to Obtain a Great Mastering Result
Monday, June 6
Monday, June 6, 10:00 — 11:15
Session W12 Perceptual Evaluation Interface Design
Monday, June 6, 11:30 — 12:45
Session W13 Trends and Developments for Automotive Audio
Monday, June 6, 13:00 — 14:30
Session W14 This Is a Mix! This Is a Master!
Monday, June 6, 13:00 — 14:30
Session W15 Perceptual Assessment of Spatial Sound: The Case of Binaural Reproduction
Tuesday, June 7
Tuesday, June 7, 08:45 — 09:45
Session W16 Codec for Enhanced Voice Services (EVS)—The New 3GPP Codec for Communication
Tuesday, June 7, 10:15 — 11:15
Session W17 Human Perception and Listening by Machines
Tuesday, June 7, 11:30 — 12:15
Session W18 French Recording Studios: Present and Future
Tuesday, June 7, 15:15 — 15:45
Session W19 True Phantom Power
Last Updated: 20160525