Audio Engineering Society AES Berlin 2014

AES Berlin 2014
Workshops

Saturday, April 26

Saturday, April 26, 11:15 — 13:00
Session W1   Challenges and Opportunities in Audio for Ultra-High-Definition Television

Saturday, April 26, 14:30 — 16:30
Session W2   World-Class Cinema Sound Mixers Discuss Their Craft

Saturday, April 26, 17:00 — 18:30
Session W3   Practical Techniques for Recording Ambience in Surround

 

Sunday, April 27

Sunday, April 27, 09:00 — 11:00
Session W4   Creative Dimension of Immersive Sound — Sound in 3D

Sunday, April 27, 10:45 — 12:15
Session W5   Mastering Our Future Music

Sunday, April 27, 12:45 — 14:15
Session W6   DSD vs. DXD: Extreme DSD and PCM Resolutions Compared

Sunday, April 27, 16:30 — 18:30
Session W7   Cinema Sound—Theater Loudness and Standards Issues

Sunday, April 27, 17:30 — 18:30
Session W8   Mastering in the Modern Age

 

Monday, April 28

Monday, April 28, 09:00 — 10:30
Session W9   Semantic Audio Production

Monday, April 28, 09:00 — 10:00
Session W10   The Immersive Sound Format: Requirements and Challenges for Tools and Workflow

Monday, April 28, 10:30 — 12:00
Session W11   Applications for Object-Based Audio

Monday, April 28, 10:45 — 12:45
Session W12   Mastering Tips for Engineers and Studio Owners

Monday, April 28, 13:30 — 15:30
Session W13   How Do We Make the Sound for Headphones?

 

Tuesday, April 29

Tuesday, April 29, 09:00 — 11:30
Session W14   Myth Busting Microphone Specifications

Tuesday, April 29, 09:00 — 10:30
Session W15   Audio Loudness for Audiovisual Archives

Tuesday, April 29, 12:45 — 14:15
Session W16   Loudness Wars: Give Peaks a Chance

Tuesday, April 29, 13:30 — 15:00
Session W17   AES 67 Audio Networking

Tuesday, April 29, 15:00 — 16:30
Session W18   Using AES67 Networking

 

Last Updated: 20140507


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