AES Berlin 2014
Workshops
Saturday, April 26
Saturday, April 26, 11:15 — 13:00
Session W1 Challenges and Opportunities in Audio for Ultra-High-Definition Television
Saturday, April 26, 14:30 — 16:30
Session W2 World-Class Cinema Sound Mixers Discuss Their Craft
Saturday, April 26, 17:00 — 18:30
Session W3 Practical Techniques for Recording Ambience in Surround
Sunday, April 27
Sunday, April 27, 09:00 — 11:00
Session W4 Creative Dimension of Immersive Sound — Sound in 3D
Sunday, April 27, 10:45 — 12:15
Session W5 Mastering Our Future Music
Sunday, April 27, 12:45 — 14:15
Session W6 DSD vs. DXD: Extreme DSD and PCM Resolutions Compared
Sunday, April 27, 16:30 — 18:30
Session W7 Cinema Sound—Theater Loudness and Standards Issues
Sunday, April 27, 17:30 — 18:30
Session W8 Mastering in the Modern Age
Monday, April 28
Monday, April 28, 09:00 — 10:30
Session W9 Semantic Audio Production
Monday, April 28, 09:00 — 10:00
Session W10 The Immersive Sound Format: Requirements and Challenges for Tools and Workflow
Monday, April 28, 10:30 — 12:00
Session W11 Applications for Object-Based Audio
Monday, April 28, 10:45 — 12:45
Session W12 Mastering Tips for Engineers and Studio Owners
Monday, April 28, 13:30 — 15:30
Session W13 How Do We Make the Sound for Headphones?
Tuesday, April 29
Tuesday, April 29, 09:00 — 11:30
Session W14 Myth Busting Microphone Specifications
Tuesday, April 29, 09:00 — 10:30
Session W15 Audio Loudness for Audiovisual Archives
Tuesday, April 29, 12:45 — 14:15
Session W16 Loudness Wars: Give Peaks a Chance
Tuesday, April 29, 13:30 — 15:00
Session W17 AES 67 Audio Networking
Tuesday, April 29, 15:00 — 16:30
Session W18 Using AES67 Networking
Last Updated: 20140507
