AES Munich 2009: Recording Industry Events
(sound recording, processing, distribution, and sound for film/video and games)
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Thursday, May 7
Thursday, May 7, 09:00 — 11:00
Session T1 A New Downmix Algorithm Optimizing Comb Filter Performance
Thursday, May 7, 09:00 — 11:30
Session P1 Audio for Telecommunications
Thursday, May 7, 09:00 — 11:00
Session W1 Lies, Damn Lies, and Statistics
Thursday, May 7, 09:00 — 11:00
Session T2 An Introduction to Digital Audio Effects
Thursday, May 7, 09:00 — 11:30
Session P2 Audio for Games and Interactive Media
Thursday, May 7, 10:00 — 11:00
Archiving, Restoration, and Digital Libraries
Thursday, May 7, 10:00 — 11:30
Session P3 Recording, Reproduction, and Delivery
Thursday, May 7, 11:00 — 12:00
Coding of Audio Signals
Thursday, May 7, 12:00 — 13:30
Opening Ceremonies
Awards
Keynote Speech
Thursday, May 7, 13:30 — 15:30
Session W2 New Technologies for Audio Over IP
Thursday, May 7, 14:00 — 15:00
Fiber Optics for Audio (Formative Meeting)
Thursday, May 7, 14:00 — 16:00
Session W3 Intelligent Digital Audio Effects
Thursday, May 7, 14:00 — 18:30
Session P4 Recording, Reproduction, and Delivery
Thursday, May 7, 14:00 — 18:00
Session P5 Loudspeakers
Thursday, May 7, 14:00 — 15:30
Session P6 Multichannel Coding
Thursday, May 7, 15:00 — 16:00
Audio for Games
Thursday, May 7, 16:00 — 17:00
Hearing and Hearing Loss Prevention
Thursday, May 7, 16:00 — 18:30
Session W4 Microphones—What to Listen For—What Specs to Look For
Thursday, May 7, 16:30 — 18:30
Session W5 Professional Audio Networking in Sound Reinforcement and Broadcast Applications
Thursday, May 7, 16:30 — 18:00
Session P7 Spatial Audio Processing
Thursday, May 7, 17:00 — 18:00
Semantic Audio Analysis
Thursday, May 7, 17:00 — 18:30
Session T4 The Growing Importance of Mastering in the Home Studio Era
Thursday, May 7, 18:30 — 19:30
Heyser Lecture
followed by
Technical Council
Reception
Friday, May 8
Friday, May 8, 09:00 — 10:00
Spatial Audio
Friday, May 8, 09:00 — 10:30
Session T5 Lipsync in the Latency Age
Friday, May 8, 09:00 — 11:00
Session W6 The Opera Behind the Opera—Challenges and Real World Solutions in Transmissions of Big Opera Productions
Friday, May 8, 10:00 — 11:00
Signal Processing
Friday, May 8, 10:00 — 13:30
Session TT3 Herkulessaal der Residenz
Friday, May 8, 10:30 — 12:00
Session P10 Audio for Telecommunications
Friday, May 8, 11:00 — 12:00
Microphones and Applications
Friday, May 8, 11:00 — 13:30
Session T6 Loudness—Light at the End of the Tunnel
Friday, May 8, 11:30 — 13:30
Session T7 Binaural Audio Technology—History, Current Practice, and Emerging Trends
Friday, May 8, 11:30 — 13:30
Session W8 We Have You Surrounded—Mastering for Multichannel
Friday, May 8, 12:00 — 13:00
Loudspeakers and Headphones
Friday, May 8, 13:00 — 16:30
Session P11 Audio Coding
Friday, May 8, 13:30 — 17:30
Session TT5 Stadtmuseum Musikinstrumente
Friday, May 8, 13:30 — 17:30
Session TT6 Herkulessaal der Residenz
Friday, May 8, 13:30 — 15:00
Session P12 Loudspeakers
Friday, May 8, 14:00 — 15:00
Network Audio Systems
Friday, May 8, 14:00 — 16:00
Session T8 Microphone History
Friday, May 8, 14:00 — 18:30
Session P13 Spatial Audio and Spatial Perception
Friday, May 8, 15:00 — 16:00
Human Factors in Audio Systems
Friday, May 8, 15:00 — 16:30
Session W9 Mixing Sports in 5.1–Part 1
Friday, May 8, 16:30 — 18:30
Session W10 Audio Network Control Protocols
Friday, May 8, 16:30 — 18:30
Session P14 Multichannel Coding
Friday, May 8, 16:30 — 18:00
Session P15 Hearing
Friday, May 8, 17:00 — 18:30
Session W11 Mixing Sports in 5.1–Part 2
Friday, May 8, 17:30 — 18:30
Session T9 Techniques of Audio Localization for Games
Friday, May 8, 19:30 — 21:30
Banquet
Saturday, May 9
Saturday, May 9, 09:00 — 10:00
Audio Recording and Mastering Systems
Saturday, May 9, 09:00 — 11:00
Session W12 Reality Is Not a Recording/A Recording Is Not Reality
Saturday, May 9, 09:00 — 11:30
Session P16 Spatial Rendering–Part 1
Saturday, May 9, 09:30 — 13:30
Session TT7 Bavarian Broadcast System BR Radio
Saturday, May 9, 09:30 — 13:30
Session TT8 Bavarian Broadcast System BR Television
Saturday, May 9, 10:00 — 11:00
High Resolution Audio
Saturday, May 9, 11:30 — 13:00
Session W13 AES 42 Digital Microphones
Saturday, May 9, 12:00 — 13:00
Studio Practices and Production
Saturday, May 9, 13:00 — 14:00
Audio Forensics
Saturday, May 9, 13:30 — 17:30
Session TT9 MSM Production Studios
Saturday, May 9, 13:30 — 17:30
Session TT10 Staatsoper München
Saturday, May 9, 13:30 — 15:30
Session W14 5.1 High Profile Mixing
Saturday, May 9, 14:00 — 15:00
Perception and Subjective Evaluation of Audio Signals
Saturday, May 9, 14:00 — 15:00
Session W15 War on Music
Saturday, May 9, 15:00 — 16:00
Electro Magnetic Compatibility
Saturday, May 9, 15:00 — 18:30
Session P21 Spatial Rendering–Part 2
Saturday, May 9, 15:00 — 18:30
Session P22 Microphones and Headphones
Saturday, May 9, 15:30 — 17:00
Career/Job Fair
Saturday, May 9, 16:00 — 18:30
Session W17 Sound Design for Die Fälscher
Saturday, May 9, 16:30 — 18:00
Session P23 Psychoacoustics and Perception
Saturday, May 9, 18:30 — 19:00
Live Concert
Sunday, May 10
Sunday, May 10, 09:00 — 11:30
Session W18 Blu-ray—The Next (And Only?) Chance for High Resolution Music Media
Sunday, May 10, 09:00 — 11:30
Session W19 Audio over IP
Sunday, May 10, 09:00 — 12:30
Session P24 Assessment and Evaluation
Sunday, May 10, 09:00 — 12:30
Session P25 Sound Design and Processing
Sunday, May 10, 09:30 — 13:30
Session TT11 ARRI-Production Studios
Sunday, May 10, 09:30 — 13:30
Session TT12 Bavaria-Studios Cinepostproduction
Sunday, May 10, 12:00 — 14:00
Session W20 Standards-Based Audio Networks Using IEEE 802.1 AVB
Sunday, May 10, 12:00 — 14:00
Session W21 Multimodal Integration: Audio-Visual-Haptic-Tactile
Sunday, May 10, 14:30 — 17:00
Session T10 Audio System Grounding & Interfacing—An Overview
Sunday, May 10, 14:30 — 16:30
Session W22 MPEG SAOC: Interactive Audio and Broadcasting, Music 2.0, Next Generation Telecommunication
Last Updated: 20090723, saj
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