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Sunday, May 12, 14:00 16:30 h, Room K1
W13 High Resolution Audio: Evaluation on Music Recording
Chair: Tony Faulkner, Green Room Productions, London, UK
Panel (tentative):
Peter Eastty, Sony, Oxford, UK
Kimio Hamasaki, NHK, Tokyo, Japan
Onno Scholtze, Wu Wei Audio Production, Bunschoten, Netherlands
Stefan Shibata, Universal Recording Services, Langenhagen, Germany
Mike Story, dCS, Saffron Walden, UK
Wieslaw Woszczyk, McGill University, Montreal, Canada
Summary
SACD and DVD-Audio provide us with high-resolution audio on home audio systems, which have a specific frequency character over 20kHz. In the meantime 96kHz sampling and 24 bits resolution recording has become the standard for the music industry, while 192kHz sampling or 1 bit recording are also used. However it is still not clear whether a human being can or cannot hear above 20kHz.
In this workshop issues will be discussed regarding how recording engineers evaluate high-resolution audio of over 20kHz and the different high-resolution recording systems in the actual music recording environment.
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