AES E-Library: Browse Entire Database
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- Precise Modeling of Reverberant Room Responses Using Wavelet Decomposition and Orthonormal Basis Functions
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- Optimal Control of a High Frequency Class-D Amplifier
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- An Analytical Approach for Optimizing the Curving of Line Source Arrays
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- Elicitation of Expert Knowledge to Inform Object-Based Audio Rendering to Different Systems
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- Perception of Coding Artifacts by Nonnative Speakers - A Study with Mandarin Chinese and German Speaking Listeners
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- Applications of Current-Starved Inverters to Music Synthesis on Field Programmable Analog Arrays
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- Automotive Audio Drive Forwards
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- Single-Channel Speech Enhancement Based on Subband Spectral Entropy
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- Required Measurement Accuracy of Head Dimensions for Modeling the Interaural Time Difference
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- Determination and Validation of Mix Parameters for Modifying Envelopment in Object-Based Audio
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- Removing Reflections in Semianechoic Impulse Responses by Frequency-Dependent Truncation
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- Design of a Wideband Linear Microphone Array for High-Quality Audio Recording
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- Reference Equivalent Threshold Sound Pressure Levels for Nonaudiometric Headphones
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- Audio for Cinema
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- Augmentation of Acoustic Drums using Electromagnetic Actuation and Wireless Control
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- Facilitating Accessibility in Performance: Participatory Design for Digital Musical Instruments
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- Co-design of a Smart Cajón
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- The Rough Mile: a Design Template for Locative Audio Experiences
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- PaperClip: A Digital Pen Interface for Semantic Speech Editing in Radio Production
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- Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding
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- Assessing Musical Similarity for Computational Music Creativity
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- The Perception of Vocal Traits in Synthesized Voices: Age, Gender, and Human Likeness
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- Embedded Multichannel Linux Audiosystem for Musical Applications
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- Perceptual Evaluation: Listening Strategies, Methods, and VR
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- Reinforcement-Learning-Based Personalization of Head-Related Transfer Functions
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- Sensory Profiling of High-End Loudspeakers Using Rapid Methods—Part 3: Check-All-That-Apply with Naïve Assessors
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- Control of Fundamental Frequency Fluctuation in Taiwanese Singing Synthesis
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- A Contour Integral Method for Time-Domain Response Calculations
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- Acoustic Event Classification using Low-Resolution Multi-label Non-negative Matrix Deconvolution
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- Listener Preference for Wave Field Synthesis, Stereophony, and Different Mixes in Popular Music
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- Virtual Reality, Will It Be a Game-Changer
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- Qualitative Evaluation of Media Device Orchestration for Immersive Spatial Audio Reproduction
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- User-independent Accelerometer Gesture Recognition for Participatory Mobile Music
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- Augmenting a MIDI Keyboard Using Virtual Interfaces
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- Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques
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- Speech Emotion Recognition for Performance Interaction
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- Sounding Out Ethnography and Design: Developing Metadata Frameworks for Designing Personal Heritage Soundscapes
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- Touch the Sound: Design and Development of a Tangible System for Sound Experimentation
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- Ecosystems of Visual Programming Languages for Music Creation: A Quantitative Study
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- Loudspeaker Design: Optimization and Efficiency
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- Acoustic Energy Harvesting Inside Loudspeaker Enclosures
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- Fractional Derivative Loudspeaker Models for Nonlinear Suspensions and Voice Coils
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- The Frequency and Loudspeaker-Azimuth Dependencies of Vertical Interchannel Decorrelation on the Vertical Spread of an Auditory Image
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- Evaluating Live Loudness Meters from Engineers’ Actions and Resulting Output Levels
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- An Objective Audio Quality Measure Based on Power and Envelope Power Cues
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- Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models
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- Room Acoustics: Modeling, Enhancement, Measurement
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- An Improved Packet Loss Recovery of Audio Signals Based on Frequency Tracking
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- Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays
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- Interactive Mode Explorer Sonification Enhances Exploratory Cluster Analysis
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- Virtual Acoustics for Musicians: Subjective Evaluation of a Virtual Acoustic System in Performance of String Quartets
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- An Immersive Audio Control System Using Mobile Devices and Ethernet AVB-Capable Speakers
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- Hearing Disorders and Music
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- Comments on “Bandpass Subwoofer Design”
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- Single-Ended Speech Quality Prediction Based on Automatic Speech Recognition
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- Layered Motion and Gesture Sonification in an Interactive Installation
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- A New Recursive Semi-Supervised Non-Negative Matrix Factorization for Separation of Harmonic and Percussive Elements in Digital Sounds
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- Minimally Simple Binaural Room Modeling Using a Single Feedback Delay Network
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- Physically Based Unified Modeling for a Series of Miniature Twin Triode Tubes
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- Identification of Volterra Models of Tube Audio Devices using Multiple-Variance Method
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- Preserving Our Audio Heritage
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- Fast Continuous Measurement of HRTFs with Unconstrained Head Movements for 3D Audio
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- Multichannel Equalization and Crosstalk Cancellation Using Fixed-Pole IIR Filters
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- Audio Semantics: Online Chat Communication in Open Band Participatory Music Performances
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- Modeling and Delay-Equalizing Loudspeaker Responses
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- An Automatic Design Procedure for Low-order IIR Parametric Equalizers
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- Dynamic Diffuse Signal Processing for Sound Reinforcement and Reproduction
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- An Investigation of Motional Feedback Disk Recording System Design
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- Spatial Audio: Channels, Objects, and Ambisonics
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- Gray-Box Modeling of Guitar Amplifiers
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- Sonification Mappings: Estimating Effectiveness, Polarities and Scaling in an Online Experiment
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- Sound Radiation Control for Uniform Directionality in the Presence of Strong Early Reflections
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- Hybrid Approach to Speech Source Separation Depending on the Voicing State
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- Higher Power Density Amplifiers
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- Method to Estimate the Acoustic Center of Directional Sources and its Psychoacoustic Evaluation
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- Analysis of 2D Feature Spaces for Deep Learning-Based Speech Recognition
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- 3D Printed Acoustic Lens for Dispersing Sound
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- Evaluating AVAR: Goodbye Quality, Hello Plausibility?
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