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AES E-Library: Browse Entire Database
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Personal Sound Zones: A Comparison between Frequency and Time Domain Formulations in a Transportation Context
Mitigating the Effect of In-Vehicle Road Noise Cancellation on Music Playback
Effect of a Global Metronome on Ensemble Accuracy in Networked Music Performance
Evaluation of Multichannel Audio in Automobiles versus Mobile Phones
Realizing an Acoustic Vector Network Analyzer
Analyzing and Extracting Multichannel Sound Field
Profiling Audio Compressors with Deep Neural Networks
On the Similarity between Feedback/Loopback Amplitude and Frequency Modulation
Digital Parametric Filters Beyond Nyquist Frequency
Using Volterra Series Modeling Techniques to Classify Black-Box Audio Effects
Modifying Audio Signals for Reproduction with Reduced Room Effect
Acoustic Beamforming on Transverse Loudspeaker Array Constructed from Micro-Speakers Point Sources for Effectiveness Improvement in High-Frequency Range
Spherical Microphone Array Shape to Improve Beamforming Performance
Infinite Waveguide Termination by Series Solution in Finite Element Analysis
Evaluating Listener Preference of Flat-Panel Loudspeakers
Modelling of a Chip Scale Package on the Acoustic Behavior of a MEMS Microphone
Personalized and Self-Adapting Headphone Equalization Using Near Field Response
Applying Sound Equalization to Vibrating Sound Transducers Mounted on Rigid Panels
Optimum Measurement Locations for Large-Scale Loudspeaker System Tuning Based on First-Order Reflections Analysis
Use of Wavelet Transform for the Computation of Modal Decay Times in Rooms
What’s Old Is New Again: Using a Physical Scale Model Echo Chamber as a Real-Time Reverberator
Synthesis of Binaural Room Impulse Responses for Different Listening Positions Considering the Source Directivity
Extracting the Fundamental Mode from Sound Pressure Measurements in an Acoustic Tube
Accurate Reproduction of Binaural Recordings through Individual Headphone Equalization and Time Domain Crosstalk Cancellation
Concert Hall Acoustics’ Influence on the Tempo of Musical Performances
Nonlinear Control of Loudspeaker Based on Output Flatness and Trajectory Planning
Perceptual Assessment of Distortion in Low-Frequency Loudspeakers
Rethinking Flat Panel Loudspeakers—An Objective Acoustic Comparison of Different Speaker Categories
Modelling and Measurement of Nonlinear Intermodal Coupling in Loudspeaker Diaphragm Vibrations
Sound Capture by Microphone Vibration inside Playback Devices
Low Deviation and High Sensitivity—Optimized Exciter Positioning for Flat Panel Loudspeakers by Considering Averaged Sound Pressure Equalization
A Comparison of Test Methodologies to Personalize Headphone Sound Quality
Modal Representations for Audio Deep Learning
Distortion Modeling of Nonlinear Systems Using Ramped-Sines and Lookup Tables
An Open Audio Processing Platform Using SoC FPGAs and Model-Based Development
Objective Measurement of Stereophonic Audio Quality in the Directional Loudness Domain
Detection of the Effect of Window Duration in an audio Source Separation Paradigm
Use of DNN-Based Beamforming Applied to Different Microphone Array Configurations
Deep Neural Network Based Guided Speech Bandwidth Extension
Analysis of the Sound Emitted by Honey Bees in a Beehive
Improvement of DNN-Based Speech Enhancement with Non-Normalized Features by Using an Automatic Gain Control
A Binaural Model to Estimate Room Impulse Responses from Running Signals and Recordings
Describing the Audible Effects of Nonlinear Loudspeaker Distortion
Spatial Auditory Masking for Three-Dimensional Audio Coding
Investigation of Masking Thresholds for Spatially Distributed Sound Sources
An Attempt to Elicit Horizontal and Vertical Auditory Precedence Percepts without Pinnae Cues
Perceptual Weighting to Improve Coding of Harmonic Signals
Microphone Comparison: Spectral Feature Mapping for Snare Drum Recording
An Automated Approach to the Application of Reverberation
Subjective Graphical Representation of Microphone Arrays for Vertical Imaging and Three-Dimensional Capture of Acoustic Instruments, Part II
Filling The Space: The Impact of Convolution Reverberation Time on Note Duration and Velocity in Duet Performance
The Effects of Spectators on the Speech Intelligibility Performance of Sound Systems in Stadia and Other Large Venues
Analyzing Loudness Aspects of 4.2 Million Musical Albums in Search of an Optimal Loudness Target for Music Streaming
Audio Data Augmentation for Road Objects Classification by an Artificial Neural Network
Is Binaural Spatialization the Future of Hip-Hop?
Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts
Noise Robustness Automatic Speech Recognition with Convolutional Neural Network and Time Delay Neural Network
Use of the Magnitude Estimation Technique in Reference-Free Assessments of Spatial Audio Technology
Subjective Assessment of the Versatility of Three-Dimensional Near-Field Microphone Arrays for Vertical and Three-Dimensional Imaging
Defining Immersion: Literature Review and Implications for Research on Immersive Audiovisual Experiences
Evaluation on the Perceptual Influence of Floor Level Loudspeakers for Immersive Audio Reproduction
Investigating Room-Induced Influences on Immersive Experience Part II: Effects Associated with Listener Groups and Musical Excerpts
Comparison Study of Listeners’ Perception of 5.1 and Dolby Atmos
Impact of Statistical Parameters of Late Reverberation on the Instantaneous Frequencies of Reverberant Audio
Precise Temporal Localization of Sudden Onsets in Audio Signals Using the Wavelet Approach
Forensic Comparison of Simultaneous Recordings of Gunshots at a Crime Scene
Transparent Office Screens Based on Microperforated Foil
A Novel Spatial Impulse Response Capture Technique for Realistic Artificial Reverberation in the 22.2 Multichannel Audio Format
Impulse Response Simulation of a Small Room and in situ Measurements Validation
Calculation of Directivity Patterns from Spherical Microphone Array Recordings
Simplified Source Directivity Rendering in Acoustic Virtual Reality Using the Directivity Sample Combination
Sound Design and Reproduction Techniques for Co-Located Narrative VR Experiences
Classification of HRTFs Using Perceptually Meaningful Frequency Arrays
An HRTF Based Approach towards Binaural Sound Source Localization
Physical Controllers vs. Hand-and-Gesture Tracking: Control Scheme Evaluation for VR Audio Mixing
Measurement of Oral-Binaural Room Impulse Response by Singing Scales
Effects of Capsule Coincidence in FOA Using MEMS: Objective Experiment
Spatial B-Format Equalization
Exploratory Research into the Suitability of Various 3D Input Devices for an Immersive Mixing Task
The 3DCC Microphone Technique: A Native B-format Approach to Recording Musical Performance
Production Processes of Pop Music Arrangers in Bamako, Mali
Towards a Pedagogy of Multitrack Audio Resources for Sound Recording Education
Mental Representations in Critical Listening Education: A Preliminary Study
The Generation Gap—Perception and Workflow of Analog vs. Digital Mixing
Calibration Approaches for Higher Order Ambisonic Microphones
A Qualitative Investigation of Soundbar Theory
The Effect of the Grid Resolution of Binaural Room Acoustic Auralization on Spatial and Timbral Fidelity
A Compact Loudspeaker Matrix System to Create 3D Sounds for Personal Uses
Evaluation of Spatial Audio Quality of the Synthesis of Binaural Room Impulse Responses for New Object Positions
An Adaptive Crosstalk Cancellation System Using Microphones at the Ears
Immersive Sound Reproduction in Real Environments Using a Linear Loudspeaker Array
The Influences of Microphone System, Video, and Listening Position on the Perceived Quality of Surround Recording for Sport Content
Summed Efficiency-Method for Efficient Vented Box Speaker Design
Loudspeaker Port Design for Optimal Performance and Listening Experience
A Method for Three-Dimensional Horn Geometry Optimization
A Perceptually-Motivated Headphone Transparency Algorithm
Temporal Envelope-Based Psychoacoustic Modelling for Evaluating Non-Waveform Preserving Audio Codecs
Comparison of Human and Machine Recognition of Electric Guitar Types
Preference for Harmonic Intervals Based on Overtone Content of Complex Tones
Just Noticeable Difference for Dynamic Range Compression via “Limiting” of a Stereophonic Mix
Discrimination of High-Resolution Audio without Music
Subjective Evaluation of Multichannel Audio and Stereo on Cell Phones