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AES E-Library: Browse Entire Database
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Linearization Technique of the Power Stage in Open-Loop Class D Amplifiers
Physically-Based Large-Signal Modeling for Miniature Type Dual Triode Tube
Analysis of Current MEMS Microphones for Cost-Effective Microphone Arrays—A Practical Approach
Matching the Amplifier to the Audio for Highly Efficient Linear Amplifiers
Delay-Reduced Mode of MPEG-4 Enhanced Low Delay AAC (AAC-ELD)
Low Complexity, Software Based, High Rate DSD Modulator Using Vector Quantification
Phase Derivative Correction of Bandwidth-Extended Signals for Perceptual Audio Codecs
AC-4 – The Next Generation Audio Codec
Using Phase Information to Improve the Reconstruction Accuracy in Sinusoidal Modeling
Equalization of Spectral Dips Using Detection Thresholds
Single-Channel Audio Source Separation Using Deep Neural Network Ensembles
Characterization and Measurement of Wind Noise around Microphones
Rocking Modes (Part 2: Diagnostics)
Harmonic Distortion Measurement for Nonlinear System Identification
Evaluation of a Fast HRTF Measurement System
Efficiency of Switch-Mode Power Audio Amplifiers—Test Signals and Measurement Techniques
ITU-R BS.1770 Based Loudness for Immersive Audio
Metrics for Constant Directivity
Small-Rooms Dedicated to Music: From Room Response Analysis to Acoustic Design
Direction of Late Reverberation and Envelopment in Two Reproduced Berlin Concert Halls
Electronic Shell—Improvement of Room Acoustics without Orchestra Shell Utilizing Active Field Control
Experimental Assessment of Low-Frequency Electroacoustic Absorbers for Modal Equalization in Actual Listening Rooms
Modeling Non-Shoebox Shaped Rooms with the Mode Matching Method
Room Acoustic Measurements Using a High SPL Dodecahedron
A Comparison of Optimization Methods for Compression Driver Design
Advances to a Frequency-Domain Parametric Coder of Wideband Speech
Visual Information Search in Digital Audio Workstations
Just Noticeable Difference of Interaural Level Difference to Frequency and Interaural Level Difference
Perception of Low Frequency Transient Acoustic Phenomena in Small Rooms for Music
The Reduction of Vertical Interchannel Crosstalk: The Analysis of Localization Thresholds for Musical Sources
The Perception of Vertical Image Spread by Interchannel Decorrelation
Measurements to Determine the Ranking Accuracy of Perceptual Models
Assessment of the Impact of Spatial Audiovisual Coherence on Source Unmasking
Auditory Perception of the Listening Position in Virtual Rooms Using Static and Dynamic Binaural Synthesis
Dual-Channel Beamformer Based on Hybrid Coherence and Frequency Domain Filter for Noise Reduction in Reverberant Environments
A Low Computational Complexity Beamforming Scheme Concatenated with Noise Cancellation
Estimation of Individualized HRTF in Unsupervised Conditions
Plane Wave Identification with Circular Arrays by Means of a Finite Rate of Innovation Approach
Mismatch between Interaural Level Differences Derived from Human Heads and Spherical Models
Stereo Panning Law Remastering Algorithm Based on Spatial Analysis
Non-Linear Extraction of a Common Signal for Upmixing Stereo Sources
Numerical Modeling of Sound Intensity Distributions around Acoustic Transducer
A Novel Approach of Multichannel and Stereo Control Room Acoustic Treatment, Second Edition
A Hybrid Approach to Live Spatial Sound Mixing
Mono-to-Stereo Upmixing
Subjective Evaluation of High Resolution Audio through Headphones
A Headphone Measurement System Covers both Audible Frequency and beyond 20 kHz (Part 2)
Methodologies for High-dimensional Objective Assessment of Spatial Audio Quality
Objective Measures of Voice Quality for Mobile Handsets
The Difference between Stereophony and Wave Field Synthesis in the Context of Popular Music
Accelerometer Based Motional Feedback Integrated in a 2 3/4" Loudspeaker
Visualization Tools for Soundstage Tuning in Cars
Development Tools for Modern Audio Codecs
Can Bluetooth ever Replace the Wire?
Deep Neural Networks for Dynamic Range Compression in Mastering Applications
Principles of Control Protocol Design and Implementation
Absorption Materials in Reflex Loudspeakers
An Innovative Structure for the Approximation of Stereo Reverberation Effect Using Mixed FIR/IIR Filters
Improvement of DUET for Blind Source Separation in Closely Spaced Stereo Microphone Recording
A Phase-Matched Exponential Harmonic Weighting for Improved Sensation of Virtual Bass
Extraction of Interchannel Coherent Component from Multichannel Audio
The Difference in Perceptual Attributes for the Distortion Timbre of the Electric Guitar between Guitar Players and Non-Guitar Players
The Effect of a Vertical Reflection on the Relationship between Preference and Perceived Change in Timbre and Spatial Attributes
Relative Contribution of Interaural Time and Level Differences to Selectivity for Sound Localization
Modeling the Perceptual Components of Loudspeaker Distortion
Comparison of the Objective and the Subjective Parameters of the Different Types of Microphone Preamplifiers
Automatic Localization of a Virtual Sound Image Generated by a Stereophonic Configuration
The Effect of Early Impulse Response Length and Visual Environment on Externalization of Binaural Virtual Sources
Exploiting Envelope Fluctuations to Enhance Binaural Perception
Two Alternative Minimum-Phase Filters Tested Perceptually
Subjective Listening Tests for Preferred Room Response in Cinemas - Part 2: Preference Test Results
Binaural Spatialization over a Bone Conduction Headset: Minimum Discernable Angular Difference
The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity
Ensemble Effect Using Gaussian Matrices
A Loudness Function for Analog and Digital Sound Systems Based on Equal Loudness Level Contours
Spatial Multi-Zone Sound Field Reproduction Using Higher-Order Loudspeakers in Reverberant Rooms
Active Equalization for Loudspeaker Protection
Comparison of Simple Self-Oscillating PWM Modulators
Low Energy Audio DSP Design: Going Beyond The Hardware Barrier
Modeling and Adaptive Filtering for Systems with Output Nonlinearity
Evaluation of Quality Features of Spatial Audio Signals in Non-Standardized Rooms: Two Mixed Method Studies
Novel Designs for the Audio Mixing Interface Based on Data Visualization First Principles
The Method for Generating Movable Sound Source
Graphical Interface Aimed for Organizing Music Based on Mood of Music
Microphone Array Design Applied to Complete Hemispherical Sound Reproduction—From Integral 3D to Comfort 3D
Object-Based Audio Recording Methods
A Further Investigation of Echo Thresholds for the Optimization of Fattening Delays
An Investigation into the Sonic Signature of Three Classic Dynamic Range Compressors
Optimized Spatial Layout for Virtual Spatial Audio Conference
A Listener Adaptive Optimal Source Distribution System for Virtual Sound Imaging
Multizone Soundfield Reproduction with Virtual Elevations Using a Linear Loudspeaker Array
Characterization of the Acoustical Directivity of a Speaker on a Sound Bar Enclosure: A Comparison between Measurements, Boundary Element Method, and a Spheroidal Analytical Model
Robustness of Speaker Recognition from Noisy Speech Samples and Mismatched Languages
A Reliable Singing Voice-Driven MIDI Controller Using Electroglottographic Signal
Extraction of Anthropometric Measures from 3D-Meshes for the Individualization of Head-Related Transfer Functions
Methods of Phase-Aligning Individual Instruments Recorded with Multiple Microphones during Post-Production
Wireless Sensor Networks for Sound Design: A Summary on Possibilities and Challenges
Conflicting Dynamic and Spectral Directional Cues Form Separate Auditory Images
Discrimination of Formant Frequency in Pink Noise
The Influence of Room Acoustics on Musical Performance and Interpretation—A Pilot Study
Timbre Preferences of Four Listener Groups and the Influence of their Cultural Backgrounds
Low-Complexity Stereo Signal Decomposition and Source Separation for Application in Stereo to 3D Upmixing
Immersive Audio Delivery Using Joint Object Coding
Design and Subjective Evaluation of a Perceptually-Optimized Headphone Virtualizer
An Open 3D Audio Production Chain Proposed by the Edison 3D Project
Perceptual Evaluation of Transpan for 5.1 Mixing of Acoustic Recordings
The Influence of Head Tracking Latency on Binaural Rendering in Simple and Complex Sound Scenes
A Subjective Comparison of Discrete Surround Sound and Soundbar Technology by Using Mixed Methods
Spatial Post-Processing of Hard Panned Music for Headphone Reproduction
Exploring the Benefits of Surround Sound in Contemporary Live Music Performances
Extended Bass Management Methods for Cost-Efficient Immersive Audio Reproduction in Digital Cinema
Local Wave Field Synthesis by Spatial Band-Limitation in the Circular/Spherical Harmonics Domain
Investigation on Subjective HRTF Rating Repeatability