AES E-Library: Browse Entire Database
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- The Model of the Adaptive Filtering in the Peripheral Part of the Hearing System and Its Implementation
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- A Nonlinear Model of the Peripheral Auditory System
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- A Physiological Ear Model for Auditory Masking Applicable to Perceptual Coding
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- Objective Audio Signal Evaluation-Applied Psychoacoustics for Modeling the Perceived Quality of Digital Audio
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- Recording Baroque Organs in Big Churches
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- Development of -Ice-Zone Microphone- for Skating Sound Pick-Up
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- Measurement and Intelligibility Optimization of Directional Microphones for Use in Hearing Aid Devices
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- Psychoacoustic Effects of Ringing in Microphones
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- Loudness Compensation by Microphone Frequency Response and Microphone Placement
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- Towards a Digitally Interfaced Microphone Standard
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- Exploiting Both Time and Frequency Structure in a System That Uses an Analysis/Synthesis Filterbank with High Frequency Resolution
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- Multi-Layer Bit-Sliced Bit-Rate Scalable Audio Coding
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- A New Backward Predictor for MPEG Audio Coding
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- Audio Compression Using Entropy Coded Dithered Quantization
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- Loudspeaker Ports
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- Effects of B1-product Nonlinearities on Dynamic Resonance and QT
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- Reduction of Second Order Non-Linear Distortion of a Horn Loudspeaker by a Volterra Filter-Real-Time Implementation
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- The Distributed-Mode Loudspeaker (DML) as a Broad-Band Acoustic Radiator
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- A New Flat Panel Loudspeaker for Portable Multimedia
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- Development of Thin Loudspeakers Suitable for HDTV Receivers with Large PDP Flat Display
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- Mismatch-Shaping Digital-to-Analog Conversion
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- Techniques to Measure and Maximize the Performance of a 120 dB, 24-Bit, 96-kHz A/D Converter Integrated Circuit
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- SAHARA-A Flexible, Multiprocessor, Mixed-Signal System on a Chip
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- A DSP with Integrated CODEC for Home Entertainment and Car Audio Applications
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- Efficient Generation of Multichannel Dither Signals
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- General Purpose Direct Form 1 IIR Filter Structure for Digital Audio Applications
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- Performance Analysis of Linear Phase Audio Filters Based on the Zero Phase Filtering Concept
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- An Integrated AES/EBU Receiver/Sample-Rate Converter
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- Reconfigurable Computing Systems for Audio DSP Applications
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- Software Aided Mixing on a Low-Cost Digital Console
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- A New Concept of Spatial Coherence Between Sound and Picture in Stereophonic (and Surrounding Sound) TV Production
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- Microphone Techniques for Ambient Sound on a Music Recording
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- 5-Channel Microphone Array with Binaural Head for Multichannel Reproduction
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- Virtual Surround Presentation of Dolby AC-3 and Pro Logic Signals
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- Reproduction of Spatialised Audio in Immersive Environments with Non-Ideal Acoustic Conditions
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- Teaching Concepts in Mixing for Surround Sound-Pedagogical Changes with the Shift to 5.1
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- Diffuse Field Planar Loudspeakers in Multimedia and Home Theatre
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- Live Interactive Music on the Internet
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- Digital Audio Transmission Over IEEE 1394: Protocol Design and Implementation
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- Audio Distribution and Control Using the IEEE 1394 Serial Bus
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- Operating Principles and Applications of Audio/Video Capable Networks
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- Presto: A High-Performance Transport for Digital Audio, Video, Control, and Synchronization
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- Media Oriented Synchronous Transfer-A Network Protocol for High Quality, Low Cost Transfer of Synchronous, Asynchronous, and Control Data on Fiber Optic
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- Synchronization of Digital Media, Clocks and Computers
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- Desktop Audio Acquisition Matrix
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- The Role of Rear Loudspeakers in Spatial Impression
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- Room Optimizer: A Computer Program to Optimize the Placement of Listener, Loudspeakers, Acoustical Surface Treatment and Room Dimensions in Critical Listening Rooms
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- The Effect of Rooms on Multiple Loudspeaker Loading at Low Frequencies
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- A Comparison between Actual Measurements and Predictions Using a Closed Form Image Method Model of a Six Walled Room
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- Multiple Subwoofers for Home Theater
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- Design of a Reference Listening Room-A Case Study
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- High-Definition Digital Audio in 3-Dimensional Sound Reproduction
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- Phantom Source Perception in 24 Bit @ 96 kHz Digital Audio
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- Does High Sampling Frequency Improve Perceptual Time-Axis Resolution of Digital Audio Signal?
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- Improved Lossless Coding of 1-Bit Audio Signals
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- One Bit Two Channel Recorder System
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- Disc Technology for Super Quality Audio Applications
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- DVD-Audio Format
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- A Low Complexity Spatial Localization System
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- Psychoacoustic Criteria for Auditioning Virtual Imaging Systems
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- Use of Digital Inverse Filtering Techniques for Improving Car Audio Systems
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- Dual-Channel Audio Equalization and Cross-Talk Cancellation for Correlated Stereo Signals
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- Spherical Harmonic Spectra of Head-Related Transfer Functions
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- HRTF Sensitivity Analysis for Three-Dimensional Spatial Audio Using the Pair-Wise Loudspeaker Association Paradigm
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- Objective and Subjective Assessment of Systems for the Production of Virtual Acoustic Images for Multiple Listeners
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- Virtual Source Imaging Using the -Stereo Dipole-
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- The Audio Reinforcement System Project for the Rebuilding of the -La Fenice- Theater, Venice, Italy
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- Using Acoustic Enhancement to Improve Speech Intelligibility
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- Radiation Synthesis with Digitally Controlled Loudspeakers
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- Fractal Sound Diffusers
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- The Importance of Early Sound for Recording and Reproduction-Is the Quality of Digital Sound Transmission Sufficient?
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- A Proposal for a More Perceptually Uniform Control Room for Stereophonic Music Recording Studios
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- Loudspeakers, Mutual Coupling and Phantom Images in Rooms
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- When Will We Hear Separate Events in a Sequence of Sounds?
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- Neural Representation of Pitch through Temporal Autocorrelation
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- Interval Pitching Accuracy of Children Aged 7 to 11
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- Subjective Audio Testing Methodology and Human Performance Factors
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- Listening Test Methods for Automotive Sound Quality
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- Subjective Comparison of Different Car Audio Systems by the Auralization Technique
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- An Experimental Investigation of the Accumulation of Perceived Error in Time-Varying Speech Distortions
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- Designing Interaction between Auditory and Visual Stimuli: Casestories from the Virtual LEGO-life
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- Objective Performance Assessment: Video Quality as an Influence on Audio Perception
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- Concatenation-Based MIDI-to-Singing Voice Synthesis
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- Approximation of Decimation Filters Using the SMAC Architecture
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- Music Campus of the Future
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- Development and Calibration of a Guitar Synthesizer
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- 25 Years of Digital Synthesizer Architecture Patents
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- Computer-Controlled Attenuator for Subjective Evaluation Systems
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- Novel Feedback Topology Obviates the Need for High Loop Gain
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- A Simple Approximation for the Distortion in a Pulse-Width-Modulation Digital-to-Analogue Converter
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- Characteristics of Demodulation Filters for Switching Power Amplifiers
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- Audio Amplifier Efficiency and Balanced Current Design-A New Paradigm
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- A High Efficiency Low Distortion Audio Power Amplifier
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- Pulse Edge Delay Error Correction (PEDEC)-A Novel Power Stage Error Correction Principle for Power Digital-Analog Conversion
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- A Sigma-Delta Digital Audio Power Amplifier-Design and FPGA Implementation
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- Fundamentals of Modern Audio Measurement
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- Software Implementation of an MLS Analyzer with Tools for Convolution, Auralization and Inverse Filtering
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- Comparison of Audio System Nonlinear Performance in Volterra Space
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- A New Method for Analysing the Effects of Jitter in Digital, Audio Systems
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- Loudspeakers: What Measurements Can Tell Us-and What They Can't Tell Us!
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- A New Approach to Acoustic Investigation of Organ Sound
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- The Objective Basis for the Production of High Quality Transfers from Pre-1925 Sound Recordings
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- Non-Linear Spectral Subtraction with Combined Smoothing Strategies for Broadband Noise Reduction
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- Applying the Concept of Operational Conservation Theory to Problems of Audio Restoration and Archiving Practice
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- Restoration of Musical Signals Using Wavelet Transform and Modified Wiener Filtering
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- Audio Signal Processing Based on an Adaptive Time-Frequency Distribution
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- Traceability, Reproducibility, Compatibility-Quality Control Elements in Audio Information Transfer
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- Reconstruction of Early Glenn Gould Broadcasts: From Acetate to Compact Disc
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- Measurements on Studio Microphones
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- Progress in Microphone Characterization-SC-04-04
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- Distortion from Boundary Layers
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- A Bit Rate Scalable Perceptual Coder for MPEG-4 Audio
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- Robust Coding of High Quality Audio Signals
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- Magnetic Circuit Design Methodologies for Dual Coil Transducers
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- Music Recording in the Age of Multi-Channel
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- New Techniques for the Production of Multichannel Sound
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- Progress in 5-2-5 Matrix Systems
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- Linear Sound versus HyperSound: A Fresh Look at Audio on the Internet
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- Downloadable Sounds Level 1 Specification
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- Prediction of the Spatial Informations for the Control of Room Acoustics Auralization
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- Analysis and Synthesis of Room Reverberation Based on a Statistical Time-Frequency Model
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- Acoustic Characteristics of Timber-Framed Listening Rooms
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- Backward Adaptive Lossless Coding of Audio Signals
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- Lossless Audio Signal Processing
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- Analysis of the Role of Update Rate and System Latency in Interactive Virtual Acoustic Environments
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- Improvements in Intelligibility through the Use of Diffuse Acoustic Radiators in Sound Distribution
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- Boundary Interaction of Diffuse Field Distributed-Mode Radiators
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- A Short History of Telephone Psychophysics
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- The KFM 360 Surround-A Purist Approach
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- Spatial Impression and Envelopment in Small Rooms
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- Coding Methods for High Resolution Recording Systems
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- Wideband Two-Dimensional Diffusers Using Orthogonal Modulated Sequences
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- ISO/IEC MPEG-2 Advanced Audio Coding: Overview and Applications
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