Mathew Lane audiotools are innovative new solutions, created when no other hardware or software could be found suitable for the task.
The DrMS spatial processor is Mathew Lane's first product, already widely accepted by audio professionals as a unique plugin. It's being used by top producers and engineers on songs by well known artists such as Black Eyed Peas, Coldplay and many others. Legendary mix engineer Dave Pensado is a fan and has been showing the use of DrMS on several of his Pensado's Place Into The Lair videos. DrMS is a unique spatial processor, available as AAX/RTAS/AU/VST plugin, with a wide range of applications for mixing, mastering and post production - going from simple MS (Mid-Side) encoding/decoding, over stereo field width and depth enhancement, to fixing mono compatibility issues and more. DrMS now also has little brother called StereoDelta. And even more, Mathew Lane has recently gone hardware by introducing the OnTheMoon SPACECRAFT, a unique analog spatial processor based on his spatialising technology.
Posted: Thursday, July 19, 2018
Mastering The Mix is dedicated to helping music producers get the best possible results. We do this by making game changing tools for forward thinking producers.
We created a mixing and metering plugin called LEVELS to help music makers achieve a technically excellent mix. LEVELS keeps an eye on the technical details of your mix and warns you if a problem occurs without interrupting your creative flow. We created REFERENCE to give producers the tools to get closer than ever to the sound of their favourite tracks. Our latest tool, EXPOSE, is a final quality control measure that ensures your track is ready for delivery. If technical issues will arise on various different distribution destinations such as Apple Music or Spotify, EXPOSE will pin point those issues for you. We’re working hard to bring more great software to music producers. 2018 is already shaping up to be a very exciting year.
Posted: Wednesday, July 18, 2018
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.
Posted: Tuesday, July 17, 2018
Peterson Goodwyn began building his own audio gear in 2008 for one simple reason: he couldn’t afford to buy it. In 2011 he founded DIY Recording Equipment with the vision of making excellent audio equipment affordable and accessible to anyone who was willing to pick up a soldering iron. Since then, DIYRE has enabled thousands of musicians and engineers to build their own equipment, through hundreds of DIY tutorials, designs, and blog posts.
Posted: Sunday, July 15, 2018
Thank you to Linear Audio for their continued sponsorship and support of the AES Competitions!
Linear Audio publishes technical articles about technology, developments and the state of the art in audio and perception from a technical perspective.
It is meant for anyone who is interested in technical audio developments or who wants to contribute. Being employed in audio engineering is not a requirement.
Posted: Wednesday, June 27, 2018
Thank you to PSP Audioware for their continued sponsorship and support of the AES Competitions!
PSPaudioware develops high quality audio effect and processor plug-ins. Their products garner rave reviews and endorsements from every corner of the music production, engineering, composition, and post-production worlds and become staples in professional and home studios worldwide.
Posted: Tuesday, June 26, 2018
Thank you to UVI for their continued sponsorship and support of the AES Competitions!
UVI is a Paris, France-based developer of premium virtual instruments, effects and software for professional audio production. Over the past two decades UVI has released an extensive catalog of instruments and applications, winning numerous industry awards and accolades. As a key technology partner UVI has worked with many companies to enable groundbreaking software instruments with the renowned UVI EngineTM.
Spanning over 40 releases ranging from mobile to desktop, UVI products are used by many of today’s top composers, producers, sound designers and musicians, being heard on numerous hit-records, film and TV scores and games. UVI products are crafted to deliver the finest experience possible—offering a wealth of unique and inspiring instruments, the highest quality sound, innovative features, efficient and reliable performance and world-class user interfaces.
Leveraging a deep technology portfolio, extensive experience and a passion for sound, UVI continues to push forward creating new and imaginative tools that both enable and inspire.
Posted: Monday, June 25, 2018
Thank you to Leapwing Audio for their continued sponsorship and support of the AES Competitions!
We love analog and we love digital. We also recognise that there are things you can’t do in the analog domain and understand that focus is key.You will not find us creating analog imitations. There are other companies that do this very well. We want to solely focus on tools that use the strength of digital to shape and improve sound. We are geeks but also end-users. We don’t want to build complicated tools, where it takes a user 10 minutes to get a decent sound. Our goal is that once you open our tools, that within 10 seconds, you understand what it does and you get a great sound within the next 10 seconds. We have a clear dedication to build something that’s easy to use and intuitive. We pride ourselves to focus on only using the highest quality filters and algorithms we can come up with, knowing the current boundaries of modern-day CPUs. We might spend weeks getting filters to sound just the way we want. We also strongly believe that our paying customers should not be our beta testers so we’ve set up a very strong testing and debugging framework to make sure our plugins leave here in the best possible condition.
Posted: Sunday, June 24, 2018
Thank you to Routledge for their continued sponsorship and support of the AES Competitions!
Routledge is an imprint of the Taylor & Francis Group. We are the leading publisher in media technology, providing engaging, and practical content, and tools to help you excel in fields including Audio Engineering, Recording, Mixing, Mastering, Editing, MIDI, Music Business, Dance, DJing, and more. For further details visit our site.
Twitter: @routledge_music
Facebook: https://www.facebook.com/RoutledgeMusic
Posted: Saturday, June 23, 2018
Thank you to Native Instruments for their continued sponsorship and support of the AES Competitions!
Native Instruments is a leading manufacturer of software and hardware for computer-based audio production and DJing. The company's mission is to develop innovative, fully-integrated solutions for all musical styles and professions. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.
Posted: Monday, June 18, 2018
