AES Milan 2018
Workshops
Wednesday, May 23
Wednesday, May 23, 09:15 — 10:15
Session W01 Designing for High Speech Intelligibility
Wednesday, May 23, 10:00 — 11:30
Session W02 Virtual Reality Audio: B-Format Processing
Wednesday, May 23, 11:15 — 12:45
Session W03 Audio Repurposing Using Source Separation
Wednesday, May 23, 11:15 — 12:45
Session W04 Mastering for Digital and Vinyl Distribution
Wednesday, May 23, 11:45 — 12:45
Session W05 Assessment of Spatial Audio Contents Using the MS-IPM Methodology
Wednesday, May 23, 14:45 — 16:15
Session W06 The Art of Vocal Production
Wednesday, May 23, 17:00 — 18:00
Session W07 Listening Session on Large 3D Audio System
Thursday, May 24
Thursday, May 24, 09:00 — 10:30
Session W08 Recording Technique for 3D Audio—Can Convenience and Aesthetic Coexist?
Thursday, May 24, 09:00 — 10:30
Session W09 The State of the Art in Sound Synthesis and Procedural Audio
Thursday, May 24, 10:45 — 12:15
Session W10 New Surround and Immersive Recordings
Thursday, May 24, 12:15 — 13:45
Session W11 Deep Learning for Audio Applications
Thursday, May 24, 13:00 — 14:00
Session W12 AES67 Practical—A Guide on How to Setup AES67 Networks
Thursday, May 24, 13:15 — 14:30
Session W13 Object-Based Audio Broadcasting: Practical Aspects
Thursday, May 24, 13:30 — 14:30
Session W14 Production of Dance Music in 3D
Thursday, May 24, 14:30 — 16:00
Session W15 Styling Your Live and Recorded Classical, Jazz, and Acoustic Ensemble Sound
Thursday, May 24, 14:45 — 15:45
Session W16 ANTON - Universe in 3D: Ambisonics in Electronic Music Production
Thursday, May 24, 15:00 — 16:30
Session W17 Power Amplification for High Resolution Audio
Thursday, May 24, 15:30 — 17:00
Session W18 Recruiting and Training Participants for Listening Tests
Thursday, May 24, 16:15 — 17:45
Session W19 Microphones—Can You Hear the Specs? A Master Class
Friday, May 25
Friday, May 25, 09:15 — 10:15
Session W20 Stereophonic Techniques for VR and 360º Content
Friday, May 25, 09:30 — 11:00
Session W21 Beyond AES67, a Better and Unified Experience of the Audio Network
Friday, May 25, 09:30 — 10:30
Session W22 10 Years PLOUD in Europe—The Past, Present and Future
Friday, May 25, 11:00 — 12:00
Session W23 AES67 in Real World Applications
Friday, May 25, 11:00 — 12:30
Session W24 New Surround and Immersive Recordings: Listening Session
Friday, May 25, 12:00 — 13:30
Session W25 The Challenge of Loudspeaker Integration in Automotive Audio Applications
Friday, May 25, 12:15 — 13:30
Session W26 The EBU ADM Renderer
Friday, May 25, 15:00 — 16:30
Session W27 Artificial Intelligence in Your Audio
Friday, May 25, 16:30 — 18:00
Session W28 Mixing VR Being in VR
Saturday, May 26
Saturday, May 26, 09:30 — 11:00
Session W29 Spatial Audio Microphones
Saturday, May 26, 10:30 — 12:00
Session W30 Involving Performers’ Creativity in Innovative Audio Research
Saturday, May 26, 11:15 — 12:15
Session W31 Introducing the IEM Plug-in Suite
Saturday, May 26, 12:30 — 13:15
Session W32 Comparison of Stereophonic, Assembled Stereo and First-Order Ambisonic Recordings for VR and 360° Content
Saturday, May 26, 13:30 — 14:30
Session W33 The 5th Element-How a Sci-Fi Classic Sounds with a New 3D Audio Mix
Last Updated: 20180521