Saturday, May 20, 09:30 — 10:30
Session W01 The Future of Mastering
Saturday, May 20, 10:45 — 11:45
Session W02 Mastering Workflows
Saturday, May 20, 14:45 — 16:15
Session W03 Perception of Temporal Response and Resolution in Time Domain
Saturday, May 20, 16:30 — 18:00
Session W04 New Developments in Studio Metadata
Sunday, May 21, 09:00 — 10:30
Session W05 Bluetooth Music and Gaming Audio in the Car
Sunday, May 21, 09:00 — 10:45
Session W06 Intercultural Influences in Subjective Audio Quality Evaluation
Sunday, May 21, 10:45 — 12:15
Session W07 New Developments in Listening Test Design
Sunday, May 21, 11:30 — 12:30
Session W08 Immersive Recording and Mixing Techniques
Sunday, May 21, 12:45 — 14:15
Session W09 Recording, Mixing, and Mastering for Different Immersive Audio Formats
Sunday, May 21, 13:00 — 14:30
Session W10 Expert Transfer Techniques: A Special Focus on Mechanical Discs
Sunday, May 21, 14:30 — 16:30
Session W11 Music Mixing Part 3
Sunday, May 21, 16:30 — 18:00
Session W12 This Is a Mix! This Is a Master! v2.0
Monday, May 22, 09:00 — 11:00
Session W13 Current Workflows in Audio for VR
Monday, May 22, 09:30 — 11:00
Session W14 Embracing Collaboration in the Modern Production Studio
Monday, May 22, 11:30 — 13:00
Session W15 3D Recording
Monday, May 22, 13:00 — 14:00
Session W16 AES67 Interoperability Testings—The Plug Fest Reports
Monday, May 22, 13:00 — 15:00
Session W17 Capturing Sound for 360VR
Monday, May 22, 14:30 — 15:30
Session W18 A Universal Language for Auditory Interaction - Sound Design for Electronic Devices
Monday, May 22, 16:30 — 18:00
Session W19 Modern Hybrid Audio Coding
Tuesday, May 23, 09:00 — 10:30
Session W20 Virtual Radio Projects
Tuesday, May 23, 10:45 — 12:15
Session W21 Object-Based Audio: Now & Next
Tuesday, May 23, 13:00 — 14:30
Session W22 Microphones - Can You Hear the Specs?
Tuesday, May 23, 14:45 — 15:45
Session W23 Mixing Music in Dolby Atmos
Last Updated: 20170922