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TECHNICAL TOURS
Version E, 2003-09-05
Friday, October 10
9:00 am 12:00 noon
T-1 ED SULLIVAN THEATRE - UPGRADE TO HIGH DEFINITION
Opening its doors in 1929 as a WPA Hammerstein theater, this stage has hosted radio and TV luminaries from Arthur Godfrey to Jackie Gleason. On the Ed Sullivan Show was the first appearance on these shores of the British Invasion the Beatles. This 500-seat home to David Letterman saw his first broadcast on Aug. 30th, 1993. Youll see Monitor Beach as the crew discusses the technical considerations involved in the upgrade to High Definition.
1:00 pm 4:00 pm
T-2 SYNC SOUND RECORDING STUDIO
Sync Sound is a full service, 12 room audio post-production facility specifically designed to accommodate all aspects of analog and digital sound for pictures. The facility features sound editing and design, ADR, foley, an extensive sound effects library, mixing in stereo, surround, 5.1 for DVD, and laybacks to all video formats.
Saturday, October 11
9:00 am 12:00 noon
T-3 THE HISTORY OF FM & ALPINE TOWER
Richard Burden and Leonard Kahn will lecture on the history of broadcasting as you are whisked to Edwin Howard Armstrongs facility. While in college, Armstrong invented the regenerative circuit, ushering into existence the first amplifying receiver and the first reliable continuous wave transmitter. In 1918 he invented the superheterodyne circuit, a highly selective receiver, which greatly amplified weak signals. Upon these designs rest the development of radio and television. In 1933, Major Armstrong invented FM. This facility was the first home of FM and the nucleus of the Yankee Network.
9:00 am 12:00 noon
T-4 COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER
The former Acoustics Laboratories of Columbia University houses the worlds first electronic synthesizer, designed by inventor Harry Olson and built by RCA in 1939. It comprises 10 bays of 524 tubes. Such avant-guard composers as Milton Babit, Luciano Berio, Charles Wuorinen and many others have composed on this very machine!
1:00 pm 4:00 pm
T-5 THE MOVIES GAIN A VOICE! - THE LOEWS JERSEY THEATER
The Loews Jersey Theater, one of the few remaining movie palaces that were ubiquitous in 1920s America, resides the only complete Vitaphone sound system, the first sound for movies. Ron Hutchinson of the Vitaphone project will give us a site visit of this historic equipment.
Sunday, October 12
9:00 am 12:00 noon
T-6 JUDY AND ARTHUR ZANKEL HALL
Replacing the Cinema and carved from Manhattan bedrock under Carnegie Hall resides the beautiful new 644 seat Zankel Hall. The acoustician is AES Fellow Chris Jaffe. Tour of the sound system is by Daniel Mei and Paul Garrity of Auerbach Pollock Friedlander, theatre and audio/video systems consultants.
1:00 pm 4:00 pm
T-7 KAS MUSIC & SOUND AT KAUFMAN ASTORIA STUDIOS
While we wont see the Marx Brothers, Bill Cosby or Woody Allen, we will see KAS Music & Sound, the resident recording studio at this nations first multi-stage movie studio. Dating from 1920, Kaufman Astoria Studios boasts 9 sound stages for film and television production. Be on the lookout for Kermit and Miss Piggy doing a spot for the Armys Signal Corps.
Monday, October 13
9:00 am 12:00 noon
T-8 STUDIO OPEN HOUSE AVATAR & HIT FACTORY
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Some of the finest acoustic recording space in New York was created in 1977 when Tony Bongiovi transformed a Con Edison power station into a 33,000-sq. ft. multi-room facility. The four premium studios contain four classic consoles and a history of over 400 Gold and Platinum albums out of the thousands of rock & jazz recordings created here.
Hit Factory:
Established in 1975, by Edward Germano, The Hit Factory is one of the premier recording facilities in the history of the recording industry. A virtual whos who of the recording industry has recorded at The Hit Factory from their first major record, Stevie Wonders Songs in the Key of Life to Beyonces Crazy In Love.
This facility houses seven recording studios, four mastering suites and five pre-production rooms.
1:00 pm 4:00 pm
T-9 VINYL RULES! - BROOKLYNPHONO PRESSING PLANT
With ever more demand for vinyl, a new record pressing plant, Brooklynphono, is birthed under the tender care of Thomas Bernica, master of the 120-ton ram. He is ably assisted by international mastering engineer Paul Gold.
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