PAPERS & POSTERS

Saturday, March 22

Session A: MICROPHONES

• Autodirective Dual Microphone—Alexander A. Goldin
  
• Circular Microphone Array for Discrete Multichannel Audio Recording—Edo Hulsebos, Thomas Schuurmans, Diemer de Vries, Rinus Boone
  
• A New Comprehensive Approach of Surround Sound Recording—Arnaud Laborie, Rémy Bruno, Sébastien Montoya
  
• The Mechanisms Creating Wind Noise in Microphones—Stuart Bradley, Tao Wu, Sabine von Hünerbein, Juha Backman
  
• Integrated Circuits for High Performance Electret Mircrophones—Arie van Rhijn
  
• Radio Frequency Susceptibility of Capacitor Microphones—Jim Brown, David Josephson
  
• Microphone Array Beamforming for Multichannel Recording—Juha Backman
  

• Listening Technology for Automotive Sound Systems—David Clark
  
• Perceptual Quality Assessment of Telecommunications Systems Including Terminals—A. W. Rix, J. Berger, J. G. Beerends
  
• The Significance of Spectral Overlap in Multiple-Source Localization—Michael C. Kelly, Anthony I. Tew
  
• Accuracy of the Listeners’ Estimation of the Speakers’ Body Weight and Height Based Solely on the Voice Signal—Gordana Kovacic, Hrvoje Domitrovic
  
• Wave Field Synthesis in the Real World: Part 1—In the Living Room—Beate Klehs, Thomas Sporer
  
• Differences in Performance and Preference of Trained versus Untrained Listeners in Loudspeaker Tests: A Case Study—Sean E. Olive
  

• Sensitivity of High Order Loudspeaker Crossover Networks with All-Pass Response—Brandon Cochenour, Carlos Chai, David A. Rich
  
• Automated In-Situ Frequency Response Optimisation of Active Loudspeakers—Andrew Goldberg, Aki Mäkivirta
  
• Measurement of Loudspeaker Amplitude Modulation Distortion—Richard H. Small
  
• Modelling Room Interaction Effects for Pistonic and Distributed-Mode Loudspeakers in Both the Frequency and Time Domains—Neil Harris, Malcolm Hawksford
  
• Nonlinear Modeling of the Heat Transfer in Loudspeakers—Wolfgang Klippel
  
• Measurement of Impulsive Distortion, Rub and Buzz and Other Disturbances—Wolfgang Klippel, Ulf Seidel
  
• Effect of Porous Material on the Diffusivity of an Unbaffled DML Panel—Elena Prokofieva
  

• Listening Test Methodology for Headphone Evaluation—Toni Hirvonen, Markus Vaalgamaa, Juha Backman, Matti Karjalainen
  
• Ideal Point Modelling of the Quality of Noisy Speech in Mobile Communications Based on Multidimensional Scaling—Ville-Veikko Mattila
  
• A Comparison of Speech Quality Judgments in Laboratory and in Real Environment—Laetitia Gros, Noël Chateau, Sylvain Busson
  
• Psychophysical Calibration of Sharpness for Multiparameter Distortion Effects Processing—William L. Martens, Atsushi Marui
  
• The Significance of Phase as an Auditory Cue—Koray Ozcan, Simon C. Busbridge, Peter A. Fryer, Gary P. Geaves, Jon P. Moore
  
• Intelligibility of Reflected Sound Sources —Karl A. Sagrén, Björn Hedqvist
  

• Detection and Diagnoses of Subharmonic Tones Generated in Woofers—John Stewart
  
• Direct-Radiator Loudspeaker Systems with High-Bl—John Vanderkooy, Paul M. Boers, Ronald M. Aarts
  
• Finite Element Methods and Equivalent Electrical Models for Loudspeaker Characterization—Guillaume Pellerin, Jean-Dominique Polack , Jean-Pierre Morkerken
  
• Product Safety—End of Audio Fun?—Erhard E. Werner
  
• Analysis of a Folded Horn—Andrew Bright,
  
• The Full-Sphere Sound Field of Constant Beamwidth Transducer (CBT) Loudspeaker Line Arrays—D. B. (Don) Keele Jr.
  

• Common-Mode to Differential-Mode Conversion in Shielded Twisted-Pair Cables (Shield-Current-Induced Noise)—Jim Brown, Bill Whitlock
  
• New Vacuum-Tube and Output Transformer Models Applied to the Quad II Valve Amplifier—Menno van der Veen, Pierre Touzelet
  
• System Measurement and Modeling Using Pseudo-Random Filtered Noise and Music Sequences—Malcolm Hawksford
  
• Improvements of a Horn-loaded Omnidirectional Sound Source—Christos Goussios, George Kalliris, Charalampo Dimoulas, George Papanikolaou, Stylianos-Marinos Charalampidis
  
• The Development of Disc Cutting Heads—Sean Davies
  
• Automotive Doors as Loudspeaker Enclosures—Roger Shively, Josh King
  

• Parameterizing Human Pinna Shape for the Estimation of Head-Related Transfer Functions—Carl Hetherington, Anthony I. Tew
  
• An Independent Component Analysis Approach to Automatic Music Transcription— Samer A. Abdallah , Mark D. Plumbley
  
• Efficient Model Performing a Multilevel Structure of Auditory Information Applied to Audio Coding—Enrique Alexandre, Antonio Pena
  
• BlockCompiler: Efficient Simulation of Acoustic and Audio Systems—Matti Karjalainen
  
• An Analytical Modelling to Describe the Coupling between a Piezoelectric Actuator and a Loading Medium. Validation of the Method for Engineering Problems—Pierrick Lotton, Bertrand Lihoreau, Michel Bruneau, Vitali Gusev
  
• Simulation Tools in Electroacoustics Transducers. A Case Study: Different Order Band-Pass System Design—Juan José Gómez-Alfageme, Beatriz Sánchez-Alonso
  
• One New Method for Calculating Reverberation Time in Car Compartment—Fangli Ning, Juan Wei
  
  

• Room Mode Bass Absorption through Combined Diaphragmatic and Helmholtz Resonance Techniques: “The Springzorber”—Evan Reiley, Anthony Grimani
  
• Room Acoustics for Rehearsals and Concerts—The New Festhalle in Landau, Germany—Ernst-Joachim Völker, Wolfgang Teuber
  
• What You Specify Is What You Get (Part 1)—Johan van der Werff, Dick de Leeuw
  
• What You Specify Is What You Get (Part 2)—Johan van der Werff, Rob A. Metkemijer
  
• User Interaction and Authoring of 3D Sound Scenes in the Carrouso EU Project—Riitta Väänänen
  
• The Acoustic and Intelligibility Performance of Assistive Listening and Deaf Aid Loop (AFILS) Systems—Peter Mapp
  

• Study of Sound Source Shape and Wideness in Virtual and Real Auditory Displays—Guillaume Potard, Jens Spille
  
• A New Approach to Detecting Auditory Onsets Within a Binaural Stream—Ben Supper, Tim Brookes, Francis Rumsey
  
• Techniques and Applications of Wearable Augmented Reality Audio—Aki Härmä, Julia Jakka, Miikka Tikander, Matti Karjalainen, Tapio Lokki, Heli Nironen, Sampo Vesa
  
• Unidimensional Simulation of the Spatial Attribute “Ensemble Width” for Training Purposes—Tobias Neher, Francis Rumsey, Tim Brookes, Peter Craven
  
• Algorithms for Moving Sound Images—Mitsuo Matsumoto, Mikio Tohyama
  
• Creation and Verification of a Controlled Experimental Stimulus for Investigating Selected Perceived Spatial Attributes—Russell Mason, Tim Brookes, Francis Rumsey
  

• High-Resolution Robust Multipitch Analysis of Guitar Chords—Laurent Bonnet, Roch Lefebvre
  
• Control of Signal Processing Algorithms Using the MATRIX Interface—Dan Overholt
  
• Extraction of Weak Background Transients from Audio Signals—Yves Grenier, Bertrand David
  
• Non-Linear Dynamics Processing—Jiri Schimmel
  
• Error Correction in Class AB Power Amplifiers—Dimitri Danyuk, Michael J. Renardson
  
• Pitch Detection of the Singing Voice in Musical Audio—Saurabh Shandilya, Preeti Rao
  
• Real-Time Wavelet Packet-Based Low Bit Rate Audio Coding on a Dynamic Reconfiguration System—Alexey Petrovsky, Detlef Krahe, Alexander A. Petrovsky
  
• Results for Room Acoustics Equalisation Based on Smoothed Responses—Panagiotis D. Hatziantoniou, John N. Mourjopoulos
  

• Network Audio Recording Environment—Mark Gordon, William Hsu
  
• Latency in Audio Ethernet Networks—Nuno Fonseca, Edmundo Monteiro
  
• On the Performance of Clock Synchronization Algorithms for a Distributed Commodity Audio System—Men Muheim, Philipp Blum
  
• Perceptually Motivated Low Complexity Acoustic Echo Control—Christof Faller
  
• A New Connection Management Architecture for the Next Generation of mLAN— Jun-ichi Fujimori, Richard Foss
  
• A Comparative Study of mLAN and CobraNet Technologies and Their Use in the Sound Installation Industry—Bradley Klinkradt, Richard Foss
  

• A Novel Method for the Efficient Comparison of Spatialisation Conditions—Michael C. Kelly, Anthony I. Tew
  
• A Study on Head Shape Simplification Using Spherical Harmonics for HRTF Computation at Low Frequencies—Yufei Tao, Anthony. I. Tew, Stuart J. Porter
  
• Further Investigations of High-Order Ambisonics and Wavefield Synthesis for Holophonic Sound Imaging—Jérôme Daniel, Rozenn Nicol, Sébastien Moreau
  
• Perceptual Evaluation of Binaural Sound Synthesis: The Problem of Reporting Localization Judgments—Jean-Marie Pernaux, Marc Emerit, Rozenn Nicol
  
• Sound Field Management with the Arkamys Sound Process—Jean-Michel Raczinski, Jérôme Monceaux, Georges-Claude Vieilledent
  

• Digital Stereo Recording of Traditional Malaysian Musical Instruments—Rick Shriver
  
• An Application of Ambiophony for the Enhancement of the Reverberant Environment Inside the Walls of a Byzantine Castle—George Papanikolaou, George Kalliris, Christos Goussios, Charalampos Dimoulas
  
• A Method of 3-D Sound Image Localization Using Loudspeaker Arrays—Yasushige Nakayama, Kaoru Watanabe, Setsu Komiyama, Fumio Okano, Yoshinori Izumi
  
• The Analysis of Peculiarities of Russian Bells Acoustic Parameters—Irina Aldoshina, Stanislav Puchkov, Igor Matcievski, Alexandr Nicanorov, Peter Tovstik, Stepan Chernyiav
  
• Implementation of a Delay Matrix—Michael S. Pincus
  
• Matrixed Multi-Channel Extension for AAC Codec—Marek Szczerba, Frans de Bont, Werner Oomen, Leon van de Kerkhof
  
• Measurement of Sampling Jitter Using a Musical Signal—Akira Nishimura, Nobuo Koizumi
  
• Design of Digital Audio Amplifier for Automotive Applications—Alberto Bellini, Antonio De Benedetti, Giovanni Franceschini
  

• Transforming Ambiophonic + Ambisonic 3D Surround Sound to & from ITU 5.1/6.1—Robert E. (Robin) Miller III
  
• Improving Speech Intelligibility in Teleconferencing by Using Wave Field Synthesis—Marinus M. Boone, Werner P. J. de Bruijn
  
• Application of Wave Field Synthesis in Life-Size Videoconferencing—Werner P. J. de Bruijn, Marinus M Boone
  
• Comparison of Quality Degradation Effects Caused by Limitation of Bandwidth and by Down-Mix Algorithms in Consumer Multichannel Audio Delivery Systems—Slawomir K. Zielinski, Francis Rumsey, Søren Bech
  
• Temporal Aspects of Listener Envelopment in Multichannel Surround Systems—Gilbert A. Soulodre, Michel C. Lavoie, Scott G. Norcross
  
• Single DSP for Audio Stream Control and Manipulation in Multichannel Receiver—Steve Jahnke
  

• Applying Physical Modeling, Set Theory, and Cellular Automata to Create Computer Synthesized Musical Compositions—Sigmund Rothschild
  
• Automatic Labeling of Unpitched Percussion Sounds—Perfecto Herrera, Amaury Dehamel, Fabien Gouyon
  
• Using a Physiological Ear Model for Automatic Melody Transcription and Sound Source Recognition—Thorsten Heinz, Andreas Brückmann
  
• Prior Subspace Analysis for Drum Transcription—Derry FitzGerald, Bob Lawlor, Eugene Coyle
  
• Real Time Object-Based Coding—Paul M. Brossier, Mark B. Sandler, Mark D. Plumbley
  
• Using and Enhancing the Current MPEG-7 Standard for a Music Content Processing Tool—Emilia Gómez, Fabien Gouyon, Perfecto Herrera, Xavie Amatriain
  
• Determination of the Meter of Musical Audio Signals: Seeking Recurrences in Beat Segment Descriptors—Fabien Gouyon, Perfecto Herrera
  
• Temporal Segmentation and Pre-Analysis for Nonlinear Time-Scaling of Audio—Chris Duxbury, Mark Sandler, Mike Davies
  

• Protecting Digital Media with End-to-End Encryption—Jürgen K. Lang
  
• Testing Challenges in Personal Computer Audio Systems—Wayne Jones, Michael Wolfe, Theodore Tanner Jr., Daniel Dinu
  
• Remote Interface for Audio Devices (RIAD)—Nuno Fonseca, Edmundo Monteiro
  
• VotA Utility: Making the Computer Sing—Nuno Fonseca
  
• Rendering of Advanced 3D Room Models by Enhanced Application Programming Interfaces—Aleksandar Simeonov, Giorgio Zoia, Robert-Lluis Garcia
  
• Reversible Audio Watermarking—Michiel van der Veen, Arno van Leest, Fons Bruekers
  
• Emerging and Exotic Auditory Interfaces—Michael Cohen
  
• Implementation of MPEG-4 Audio Nodes in an Interactive Virtual 3D Environment—Andreas Dantele, Ulrich Reiter, Michael Schuldt, Helge Drumm, Oliver Baum
  
• Robust Real-Time Identification of PCM Audio Sources—Frank Kurth, Roman Scherzer
  

• Controlled Pre-response Antialias Filters for Use at 96 kHz and 192 kHz—Peter G. Craven
  
• Design Techniques for High-Performance Discrete A/D Converters—Bruno Putzeys
  
• Time-Scale Modification of Speech Using a Synchronised and Adaptive Overlap-Add (SAOLA) Algorithm—David Dorran, Bob Lawlor, Eugene Coyle
  
• Tree-Based Lookahead Sigma Delta Modulators—James A. S. Angus
  
• Time-Frequency Analysis, Modeling and Equalization of Room Impulse Response Functions—John C. Sarris, George E. Cambourakis
  
• A Class of Sampling Rate Converters with Interesting Properties—Sigmar Ries
  
• Feedback Strategies in Digitally Controlled Class-D Amplifiers—Rolf Esslinger, Gerhard Gruhler, Robert W. Stewart
  
• Audio Signal Processing Using Complex Wavelets—Patrick J. Wolfe, Simon J. Godsill
  

• Original File Length (OFL) for mp3, mp3PRO and Other Audio Codecs—Ernst Schroeder, Johannes Boehm
  
• MDCT Analysis of Sinusoids and Applications to Coding Artifacts Reduction—Laurent Daudet, Mark Sandler
  
• They Exist: Limit Cycles in High Order Sigma Delta Modulators—Joshua D. Reiss, Mark B. Sandler
  
• Implementation of a DRM Audio Decoder (aacPlus) on ARM Architecture—Thomas Ziegler, Daniel Homm, Reinhold Böhm, Robert Weidner
  
• State-of-the-Art Audio Coding for Broadcasting and Mobile Applications—Andreas Ehret, Martin Dietz, Kristofer Kjörling
  

• AQTtool an Automatic Tool for Design and Synthesis of Psychoacoustic Equalizers—Andrea Azzali, Alberto Bellini, Eraldo Carpanoni, Marco Romagnoli, Angelo Farina
  
• Speech Intelligibility of the Call Sign Acquisition Test (CAT) for Army Communication Systems—Mohan D. Rao, Tomasz Letowski
  
• Acoustic Personalization of Mobile Phones—Suthikshn Kumar
  
• Modelling the Auditory Perception of Size, Shape and Material: Applications to the Classification of Transient Sonar Sounds—Simon Tucker, Guy J. Brown
  
• The Importance of Reflections in a Binaural Room Impulse Response—Rene E. Jensen, Todd Welti
  
• Use of Auditory Temporal Masking in the MPEG Psychoacoustic Model 2—Hossein Najaf-Zadeh, Hassan Lahdili, Michel Lavoie, Louis Thibault
  
• A Sound Field Control Method Based on an Objective Measure of Spatial Impression—Yoshiki Ohta, Takashi Mitsuhashi, Shinji Koyano
  
• Psychoacoustic Investigations on Sound-Source Occlusion—Hania Farag, Jens Blauert, Onsy Abdel Alim
  

• A Single Chip AES3 Receiver and Transmitter and Asynchronous Sample Rate Converter Supporting Sample Rates from 32 kHz to 192 kHz—Kevin McLaughlin, Kumaresh Bathey, Huaijin Chen
  
• Comparison of Modal Equalizer Design Methods—Poju Antsalo, Matti Karjalainen, Aki Mäkivirta, Vesa Välimäki
  
• Efficient Trellis-Type Sigma Delta Modulator—Pieter Harpe, Derk Reefman, Erwin Janssen
  
• A New Digital-to-Analogue Converter Design Technique for HiFi Applications—Derk Reefman, John van den Homberg, Ed van Tuijl, Corné Bastiaansen, Leon van der Dussen
  
• Discrete-Time Loudspeaker Modelling—Andrew Bright
  
• Subjective Effects of Regularization on Inverse Filtering—Scott G. Norcross, Gilbert A. Soulodre, Michel C. Lavoie
  
• Audio Processing in the Wavelet Domain—David Darlington, Mark Sandler
  

• Enhancing Audio Coding Efficiency of MPEG Layer-2 with Spectral Band Replication for DigitalRadio (DAB) in a Backwards Compatible Way—Alexander Gröschel, Michael Schug, Michael Beer, Fredrik Henn
  
• Perceptual Optimization of the Frequency Selective Switch in Scalable Audio Coding—Miikka Vilermo, Sebastian Streich, Mauri Väänänen, Karsten Linzmeier, Bernhard Grill, Ye Wang
  
• Advances in Parametric Coding for High-Quality Audio—Erik Schuijers, Werner Oomen, Bert den Brinker, Jeroen Breebaart
  
• Ultra High Quality, Video Frame Synchronous Audio Coding—Michael J. Smithers, Brett G. Crockett, Louis D. Fielder