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Registration and Accommodation
Please refer to the following table for an indicative conference program. Click on the index numbers to view the abstract.
Please note that the program is subject to changes without notice!
For the Sunday tutorial programme and venue, please visit this page.
| Monday, January 27 | ||
|---|---|---|
| 08:30-09:00 | REGISTRATION | |
| 09:00-10:05 [Keynote] | Meinard Müller | Music Structure Analysis |
| 10:05-10:30 | COFFEE BREAK (POSTER/DEMO SETUP) | |
| 10:30-12:00 | PAPER SESSION 1: MUSIC INFORMATICS AND RETRIEVAL | |
| 1-1 [Invited] | Xavier Serra | Creating Research Corpora for the Computational Study of Music: The Case of the CompMusic Project |
| 1-2 | Tom Collins et al. | Bridging the Audio-Symbolic Gap: The Discovery of Repeated Note Content Directly From Polyphonic Music Audio |
| 1-3 | Katerina Kosta et al. | Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano? |
| 12:00-12:30 | POSTER PREVIEW 1 (APPROX. 2 MINS EACH) | |
| 12:30-13:15 | LUNCH BREAK | |
| 13:15-13:30 D1-1 [Special Demo] | Andreas Arzt et al. | The Complete Classical Music Companion V0.9 |
| 13.30-14.30 and 16.00-17.30 | POSTER SESSION 1: Semantic audio description, Linked Data and Ontologies for Audio, Music Informatics and Retrieval Speech Processing and Analysis Applications in Gaming, Entertainment, Education | |
| P1-1 | Frédéric Bimbot et al. | Semiotic Description of Music Structure: An Introduction to the Quaero/Metiss Structural Annotations |
| P1-2 | Christof Weiss et al. | A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio |
| P1-3 | Chris Baume et al. | Selection of Audio Features for Music Emotion Recognition Using Production Music |
| P1-4 | Son N. Tran et al. | Feature Preprocessing with Restricted Boltzmann Machines for Music Similarity Learning |
| P1-5 | Matthias Leimeister et al. | Rhythmic Classification of Electronic Dance Music |
| P1-6 | Dan Stowell et al. | An Open Dataset for Research on Audio Field Recording Archives: freefield1010 |
| P1-7 | Sefki Kolozali et al. | A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis |
| P1-8 | Steven Hargreaves et al. | A Semantic Web Approach to Pattern Discovery in Data and Music |
| P1-9 | Chrisoula Alexandraki et al. | Using Computer Accompaniment to Assist Networked Music Performance |
| P1-10 | Ting Lou et al. | Evaluation and Improvement of the Mood Conductor Interactive System |
| P1-11 | Jesus C. Garcia et al. | Interactive Music Applications by MPEG-A Support in Sonic Visualizer |
| P1-12 | Umer Rafi et al. | Harmonic Cues for Number of Simultaneous Speakers Estimation |
| P1-13 | Anna M. Kruspe et al. | A GMM Approach to Singing Language Identification |
| 13.30-14.30 and 16.00-17.30 | LATE-BREAKING DEMOS/POSTER SESSION 1 | |
| D1-2 | Maria Panteli et al. | Development of a Rhythm Similarity Model for Electronic Dance Music |
| D1-3 | Thomas Wilmering | Creating an Audio Effects Database on the Semantic Web |
| D1-4 | Graeme Hales | Considerations for Designing Sonic Experiences: A Case Study of Perceptually Informed Sound Design for a Virtual Reality Environment |
| D1-5 | Andrew Robertson et al. | Real-Time Percussive Beat Tracking |
| 14:30-16:00 | PAPER SESSION 2: SEMANTIC WEB, LINKED DATA, AND ONTOLOGIES FOR AUDIO | |
| 2-1 [Invited] | Yves Raimond | The BBC World Service Archive Experiment |
| 2-2 | Kevin R. Page et al. | Research Objects for Audio Processing: Capturing Semantics for Reproducibility |
| 2-3 | Frederic Font et al. | Audio Clip Classification Using Social Tags and the Effect of Tag Expansion |
| 16:00-17:30 | COFFEE BREAK (AND POSTERS) | |
| Tuesday, January 28 | ||
| 08:30-09:00 | REGISTRATION | |
| 09:00-10:00 [Keynote] | Gerhard Widmer | What Really Moves Us in Music: Expressivity as a Challenge to Semantic Audio Research |
| 10:00-10:30 | COFFEE BREAK (POSTER/DEMO SETUP) | |
| 10:30-11:45 | PAPER SESSION 3: AUTOMATIC MUSIC TRANSCRIPTION | |
| 3-1 | Jakob Abesser et al. | Instrument-Centered Music Transcription of Bass Guitar Tracks |
| 3-2 | Emmanouil Benetos et al. | Improving Automatic Music Transcription Through Key Detection |
| 3-3 | Daniel Gärtner et al. | Unsupervised Learning of the Downbeat in Drum Patterns |
| 11:45-12:15 | POSTER PREVIEW 2 (APPROX. 2 MINS EACH) | |
| 12:15-13:00 | LUNCH BREAK | |
| 13:00-14:00 and 15:00-16:30 | POSTER SESSION 2: Audio signal processing and feature extraction, Automatic music transcription, Intelligent Audio Production, Semantic Audio Organisation and Retrieval | |
| P2-1 | Georgi Dzhambzov | Towards a Drum Transcription System Aware of Bar Position |
| P2-2 | Akshay Anantapadmanabhan et al. | Tonic-Independent Stroke Transcription of the Mridangam |
| P2-3 | Henrik von Coler et al. | CMMSD: A Data Set for Note-Level Segmentation of Monophonic Music |
| P2-4 | Meinard Müller et al. | SM Toolbox: MATLAB Implementations for Computing and Enhancing Similarity Matrices |
| P2-5 | Christian Schörkhuber et al. | A Matlab Toolbox for Efficient Perfect Reconstruction Time-Frequency Transforms with Log-Frequency Resolution |
| P2-6 | Joren Six et al. | TarsosDSP, a Real-Time Audio Processing Framework in Java |
| P2-7 | Christian Uhle et al. | Subband Center Scaling using Power Ratios |
| P2-8 | David S. Blancas et al. | Sound Retrieval from Voice Imitation Queries in Collaborative Databases |
| P2-9 | Brecht De Man et al. | Adaptive Control of Amplitude Distortion Effects |
| P2-10 | Carl Bussey et al. | Metadata Features that Affect Artificial Reverberator Intensity |
| P2-11 | Zheng Ma et al. | Partial Loudness in Multitrack Mixing |
| 13:00-14:00 and 15:00-16:30 | LATE-BREAKING DEMOS/POSTER SESSION 2 | |
| D2-2 | Joren Six et al. | TarsosDSP, a Real-Time Audio Processing Framework in Java |
| D2-4 | Thomas Fillon et al. | Telemeta: Open Web Audio Platform for Sound Archives in the Use Case of Ethnomusicology |
| D2-5 | Ryan Stables | Semantic Music Production Using Producer-Defined Descriptors |
| D2-6 | Olivier Lartillot | The MiningSuite: "MIRtoolbox 2.0" + "MIDItoolbox 2.0" + pattern mining + ... |
| D2-7 | Tim Crawford et al. | SLICKMEM - Explorations in Linked Data Practice for Early Music |
| 14:00-15:00 | SPECIAL SESSION: SEMANTIC AUDIO ORGANIZATION AND RETRIEVAL | |
| S1-1 [Invited] | Tuomas Eerola | Modeling Emotions in Music: Advances in Conceptual, Contextual, and Validity Issues |
| S1-2 | Daniel Wolff et al. | Creating Audio-Based Experiments as Social Web Games with the CASimIR Framework |
| 15:00-16:30 | COFFEE BREAK (AND POSTERS) | |
| 18:30-22:00 | GALA DINNER | |
| Wednesday, January 29 | ||
| 08:30-09:00 | REGISTRATION | |
| 09:00-10:00 [Keynote] | Gaël Richard | Informed Audio Source Separation |
| 10:00-10:15 | COFFEE BREAK | |
| 10:30-11:20 | SPECIAL SESSION: INTELLIGENT AUDIO PRODUCTION | |
| S2-1 [Invited] | Jay LeBoeuf | An Industry Perspective on Commercializing Semantic Audio Technology |
| S2-2 | Pedro Pestana et al. | Intelligent Audio Production Strategies Informed by Best Practices |
| 11:20-12:15 | PANEL DISCUSSION: INTELLIGENT AUDIO PRODUCTION | |
| 12:15-13:00 | LIGHT LUNCH | |
| 13:00-13:50 | PAPER SESSION 4: SPEECH PROCESSING AND ANALYSIS | |
| 4-1 | Jürgen T. Geiger et al. | On the Influence of Alcohol Intoxication on Speaker Recognition |
| 4-2 | Christian Kirst et al. | On-Line NMF-Based Stereo Up-Mixing of Speech Improves Perceived Reduction of Non-Stationary Noise |
| 15:00-17.00 | TECHNICAL TOUR: BBC NEW BROADCASTING HOUSE | |
