Papers, Tutorials, Workshops and more set for the premier European pro audio event of the year — 146th International AES Convention in Dublin, Ireland, March 20 -- 23.
— Papers, Tutorials, Workshops and more set for the premier European pro audio event of the year, March 20 – 23 —
Details for the Technical Program of the upcoming 146thInternational AES Convention in Dublin, Ireland, March 20 – 23, are now available online at the convention site aeseurope.com. Taking place at the Convention Centre Dublin, just minutes from the technology and finance hub of the city, this year’s European AES Convention will provide a venue for presentations led by industry experts offering research Papers, Workshops, Tutorials, Product Demonstrations and more covering all things audio. Exemplifying the show’s theme, “Excite Your Ears,” AES Dublin will host exclusive presentations and technology showcases in the fields of Studio Recording, Live Sound, Networked Audio, Broadcast & Streaming, Music Production, Post Production, Game Audio, Spatial Sound, Audio for AR/VR/XR, Product Development and more. Advance Registration pricing, with additional AES Member and Student discounts, is available for a limited time with online Advance Registration.
Representing the core of the Audio Engineering Society’s scientific and technological leadership since the Society’s inception 70 years ago, research paper sessions, such as those offered at the AES Dublin Convention, offer detailed insight from top developers and pioneers in audio engineering. Additional Engineering Brief sessions will also cover practical experiments across a range of topics ranging from architectural acoustics to spatial audio encoders, in a series of topical overviews.
AES Dublin will also host over thirty Tutorials sessions during the four days of events, featuring expert presenters from around the world. AES Dublin’s Tutorial series will cover audio fundamentals and advanced concepts including recording and production case studies, spatial audio design and implementation and the integration of new audio tools and technologies. Specific applications ranging from dance music production to recording an orchestra, car audio, signal processing and beyond, will also be examined.
Convention Workshops will also be a highlight of the AES Dublin Technical Program, presented in a moderated panel discussion format led by renowned AES Members and practitioners of the audio arts, including experts from top industry brands and leading educational facilities. Workshop presentations will include topics such as “Audio, Accessibility, and the Creative Industries,”“Media Preservation and Recovery,”“Mix It! Are There Best Mixing Practices?” and a session titled “Two Albums/Two Years – Kevin Killen on the Creation of a Couple of Masterworks, The Unforgettable Fire (U2) & So (Peter Gabriel),” hosted by AES Past President Alex Case.
For complete details on these and AES Dublin Special Events, Technical Tours, Student & Career events and more, visit the Convention calendar of events. For further information and to register now, visit aeseurope.com.
Posted: Friday, February 1, 2019
AES Dublin Convention Keynote Speaker Stefania Serafin to address the sonic Interactions of sound, music and technology in "Inclusive Sonic Interactions" address.
— Featured Opening Ceremonies keynote addressto set the tone for AES Dublin attendees —
The Audio Engineering Society, celebrating over 70 years of audio science and innovation, is gearing up to host the 146th International Audio Engineering Society Convention, March 20 – 23 at the Convention Centre in Dublin, Ireland. As part of the Opening Ceremonies, Stefania Serafin, professor in sonic interaction design at Aalborg University Copenhagen, will examine the intersection of audio and technology in the address “Inclusive Sonic Interaction.” This presentation, part of the AES Dublin Special Events series, is open to all attendees and will set the stage for four full days of immersion in audio technology and its application.
Based on her extensive knowledge and research, Serafin will offer insight into the technologies and techniques being used to advance audio and its capabilities in today’s connected world:
“Sonic interaction design is a fertile field of investigation at the intersection of sound and music computing and interaction design. At Aalborg University I have been designing, together with several collaborators, sonic interactions for different applications, ranging from physics-based simulations of musical instruments and everyday objects, new interfaces for musical expression, cultural heritage, walking and rehabilitation, learning and training, as well as virtual and augmented reality. In this talk I will present an overview of these activities, with a focus on those who contribute to engage a wider and younger audience in sound, music and technology.”
In addition to her design work at Aalborg University, where she leads the multisensory experience lab, Serafin received a PhD from CCRMA, Stanford University in 2004 and is the president of the Sound and Music Computing Association.
About AES Dublin
Dublin is the 2019 destination for Europe’s preeminent professional audio education and networking event – the 146th International Audio Engineering Society Convention, March 20 – 23 at the Dublin Convention Centre. Covering all things audio, from Studio Recording, Live Sound, Networked Audio, Broadcast & Streaming, Music Production, Post Production, Game Audio, Spatial Sound, Audio for AR/VR/XR and Product Development, the AES Dublin Convention will offer attendees exclusive opportunities and interactions with the top names in audio engineering and technology. Whether you are a professional engineer, researcher, educator, student or enthusiast, make plans to “Listen, Learn and Connect” with us and take your audio engineering knowledge to the next level. Register now at aeseurope.com.
Posted: Thursday, January 31, 2019
President of the Audio Engineering Society, Nadja Wallaszkovits
The AES announces the ascension of Nadja Wallaszkovits to the office of President, taking on the role as of January 1, 2019. “Having worked with Nadja for many years as part of the AES team, we look forward to having her serve in the role of president, as the Society continues our mission to promote science and education in the field of audio engineering,” states AES Past-President David Scheirman. “Nadja’s knowledge of audio engineering technologies and experience within the AES will be a valuable asset in the coming year.
Wallaszkovits’s 25-plus-year involvement with the Audio Engineering Society has included serving as vice chair of the Austrian section and on the Technical Committee on Archiving Restoration and Digital Libraries, as well as working in Standards on the SC-07 Subcommittee on Metadata for Audio. She served as Convention Co-Chair and received AES Board of Governors Awards for her work on both the 142nd (Berlin) and 144th (Milan) AES International Conventions. For the past year, Wallaszkovits has served on the Executive Committee of the AES Board of Governors’ Executive Committee as President-Elect.
Wallaszkovits studied ethnomusicology at the University of Vienna before joining the Austrian Academy of Sciences in 2005. She currently holds the position of Chief Audio Engineer at the Academy’s Phonogrammarchiv. She recently took over the management of a Public Private Partnership collaboration between the Phonogrammarchiv and NOA Gmbh that is dedicated to the restoration of acetate media. Wallaszkovits also holds the position of vice chair of the Technical Committee of the International Association of Sound Archives (IASA) and is a member of the Training and Education Committee of IASA. Additional AES committee experience includes the Board of Governors and its Executive Committee, Awards, Conference Policy, Convention Policy, Education, Finance, Laws & Resolutions, Membership, Nominations, Regions & Sections, Diversity & Inclusion, Associate Technical Editors and the organizing committee for the AES 145th International Convention in New York City.
“I became associated with the AES for the first time in the early days of my audio education when a professor recommended that I join the Society and invited me to attend the local section’s meetings,” says Wallaszkovits. “I was immediately excited – it was my first chance to meet the well-respected audio professionals of our country, to listen to their presentations, discuss current topics and become involved in the community. This powerful impression and experience profoundly impacted my professional life and has deeply linked me with AES and our community.” She concludes, “AES offers a unique, collegial community.I would like to thank our membership, numerous business partners, supporters, volunteers, and the AES staff for their continuous engagement in the Society. We look forward to a highly-successful year in 2019!”
Read Nadja Wallaszkovits’s AES Presidents Message here and learn more about how you can be a part of the AES at aes.org.
Posted: Tuesday, January 29, 2019
AES Executive Director Colleen Harper
I feel honored to be joining AES as Executive Director, as well as incredibly motivated and excited to make a difference. The organization’s rich history provides an excellent foundation, and AES continues to stand strong today because of the passion and dedication of its members, volunteers, and staff. It is such a special community.
I had the great fortune of attending the fall convention in New York last October and felt an amazing energy that is truly unique to the organization. I met a number of people who told me about the importance of AES to their career… to their students… to the broader audio industry. Whether we are pursuing opportunities or tackling the challenges ahead, I assure you that we will always keep our most important asset in mind: YOU, our members.
Over the course of the next year, I hope you will contact me with your questions, concerns, and suggestions at [email protected]. I have no doubt that, together, we will take AES to new heights. And I will look forward to meeting you at an upcoming AES event!
Posted: Monday, January 21, 2019
Live sound luminary Dave Rat listens to an attendee's question in a popular session during AES@NAMM 2018. Rat will share his experience and knowledge again at AES@NAMM 2019.
— Live and Studio applications for microphone technology to be featured in
Friday and Saturday sessions at AES@NAMM —
Making its debut at this year’s AES@NAMM Pro Sound Symposium: Live & Studio is a series of sessions offering focused insights into practical miking techniques and technology. The new “Microphone Academy: Studio & Live” events, taking place Friday and Saturday of AES@NAMM, are among the many educational and hands-on opportunities open to all registered attendees of AES@NAMM, being held concurrently with The NAMM Show in the NAMM U campus on the Anaheim Hilton’s 4th floor, January 24 – 27 in Anaheim, CA.
On Friday, January 25, Microphone Academy sessions will focus on issues dedicated to studio applications with topics including Ribbon, Virtual and VR Microphones, as well as a special presentation on Large Diaphragm Condensers. Such practical knowledge is given in the first session of the day, “Condenser Mics and Factors That Affect Their Sound” presented by Hans Riekehof of Schoeps. The investigation of microphone characteristics that impact mic sonic signature and use continues with the session “Why Ribbon Microphones Reproduce Sound So Naturally,” led by host John Jennings of Royer Labs. An overview of microphone modeling technology and the various available systems and how they compare will be presented in Friday afternoon’s “Is There a Modeling Microphone In Your Future?” session with presenters Julian David, Erik Papp and Chris Townsend of Townsend Labs. The day concludes with an examination of “Dynamic and Static Binaural Recording, Mixing and Reproduction for Immersive Audio” with Gio Jacuzzi, focusing on the Neumann KU100, AMBEO Smart Headset (developed in cooperation with Apogee) and the AMBEO VR Mic, with a drawing for AMBEO Smart Headset at session's end.
Saturday, January 26’s sessions feature a variety of events involving Live Sound miking, including touring, live broadcast events and instrument-specific applications. Presentations will begin with leading live sound engineer Dave Rat in “Double Miking the World,” in which he will detail his work with top touring acts. Further application-specific mic technique will be the topic of “Miking Piano, Choir and Orchestra” with presenter Paul Andrews. Mark Frink, AES@NAMM Director of Program & Content, and Manager, Live Sound Content, will host two sessions – “Choosing the Right Vocal Mic,” featuring special guest experts from the live sound industry, and a final presentation, “Festival Input List and Stage Plot: Tech Rider Update,” in which Frink will expound on the importance of communicating your audio needs and expectations by creating a combined one-page input list and stage plot document which is the vital core of every audio technical contract rider.
“Microphone Academy: Studio & Live” events are open to all AES@NAMM Pro Sound Symposium: Live & Studio attendees, with one-, two- and four-day advance registration options available through January 21st at aesatnamm.com.
About AES@NAMM Pro Sound Symposium: Live & Studio
While AES@NAMM attendees do not need a NAMM Show badge to participate in AES@NAMM or to access sessions onsite, our attendees, members and colleagues are invariably eager to also attend The NAMM Show. The Audio Engineering Society’s special arrangement with NAMM lets individuals obtain a separate NAMM Show Badge for the exclusive discounted price of only $50. Visit namm.org/thenammshow/2019/badges to register. Click “Register for an attendee badge” and enter promo code “AES@NAMM” at the top of the contact information page in your Attendee Profile.
AES@NAMM Access Passes do not include registration for The 2019 NAMM Show and vice versa; separate registration is required for each event.
To learn more about The NAMM Show and AES@NAMM sessions, please visit namm.org/thenammshow/2019/events/education/aes and to register for AES@NAMM Pro Sound Symposium: Live & Studio, go to AESatNAMM.com.
Posted: Thursday, January 17, 2019
AES Executive Director Colleen Harper
The Audio Engineering Society is pleased to announce the appointment of Colleen Harper as the Society’s Executive Director, effective January 21, 2019. “Our Executive Committee's challenge has been to find an individual with deep and broad organizational management, direct prior experience within professional membership organizations, and a unique skill set that combines operational expertise, marketing skills and team leadership capabilities,” revealed David Scheirman, the Society's President for the 2017-2018 term of office. “The Society's Executive Director Search Team has selected Colleen Harper from a field of exceptionally well-qualified candidates. Our entire AES Board of Governors looks forward to working closely with Colleen from day one in her new position at the Society's world headquarters office in New York City.” As Executive Director of the Society, Harper will report to the Executive Committee of the AES Board of Governors.
Most recently, as the Chief Operating Officer and Interim Chief Executive Officer for the American Society for Parenteral and Enteral Nutrition (ASPEN), Harper notably led the implementation of strategic goals to drive both short- and long-term growth and sustainability for the $6M organization, led organizational budgeting, managed ASPEN’s signature annual conference and led the expansion and enhancement of membership service and growth, exemplifying her talent and capabilities.
On January 1, 2019, Scheirman handed over the role of AES President to Nadja Wallaszkovits, Chief Audio Engineer for the Austrian Academy of Science's Phongrammarchiv in Vienna. “With the addition of Colleen’s proven record of leadership, we expect 2019 to be a banner year for the Society,” President Wallaszkovits stated. “Education is AES’s primary mission, training and cultivating the next generation of audio professionals and members. That’s accomplished in part through our vibrant event schedule – international conventions and conferences, regional events and local section meetings – which will continue to be a focus for the Society, including further development of our presence on the west coast of the U.S. Our membership is our greatest asset, and we look forward to further improvements in our service and benefit to both our individual and sustaining membership, alongside our focus on advancing our strong relationships with our industry partners. The AES is essential to the vitality of the professional audio industry, promoting extension of innovation and learning and standards. Colleen has a crucial role to play in our vision of the Society’s future, directing our staff and working with the myriad volunteers so essential to the Society’s mission, including the current and incoming members of AES’s Board of Governors and our leadership team.” Wallaszkovits further noted that the AES leadership team is solidified for the coming year with the addition of the Society’s new Treasurer Richard Wollrich and President-Elect Agnieszka Roginska.
“I am thrilled to join the AES team,” shares Harper, “and look forward to leading the organization as we continue our work of uniting and educating audio engineers, creative artists, scientists, and students from all over the world. AES has an incredibly rich history and, with the support of dedicated members and staff, I’m excited to further its strong commitment to the mission of promoting advances in audio and disseminating new knowledge and research.”
Further realizing the AES search team’s goals for the Society’s next Executive Director, Harper’s extensive experience also includes serving the National Investor Relations Institute as Director, Professional Development; as Association Manager for the global meeting and association management firm Meeting Expectations; as Assistant Manager of Membership for the American Society of Heating, Refrigerating and Air-Conditioning Engineers; and as the Director of Membership and Organizational Relations for the Geoprofessional Business Association.
Harper has a BA from the College of William and Mary and a Master of Public Administration, Nonprofit Management degree from Georgia State University’s Andrew Young School of Policy Studies, where she was a member of the Golden Key International Honour Society. She has been a Certified Association Executive (CAE) since 2012 and was an Association Forum of Chicagoland’s Forty Under 40 Award recipient in 2014.
Posted: Wednesday, January 16, 2019
"Excite Your Ears" at the European pro audio education and networking event of the year, AES Dublin, March 20 — 23, 2019.
— The European pro audio education and networking event of the year is set for a Dublin debut —
Advance Registration is now open for the 146th International Audio Engineering Society Convention, taking place March 20 – 23 at the Convention Centre in Dublin, Ireland. Featuring four days of in-depth Technical Program sessions and events, along with three days of the Product Showcase, AES Dublin is set to exemplify the theme of “Excite Your Ears” with innovative audio engineering educational experiences, networking and more. Attendees have a variety of registration options, including premium one-, two- and four-day All Access badges as well as Product Showcase-only badges, with money-saving Advance Registration rates available for a limited time. Substantial AES Member discounts, with even lower rates for AES Student Members, are available, including free Product Showcase advance online registration for Members.
Organized by AES Dublin co-chairs Enda Bates, Ben Kok and Mariana Lopez, the convention will immerse attendees in all things audio, with over 200 sessions including a comprehensive papers, workshops and tutorials program offering the latest insights in the industries of Broadcast Audio, Studio and Home Recording, Post-Production and Sound for Picture, Networked Audio, Live Events, Games Audio, VR/AR/XR and more. Program details are coming online now at aeseurope.com. In addition, all AES Dublin attendees, including Product Showcase badge-holders, can explore the hardware and software on display and interact with professional audio manufacturers and distributors participating in the Professional Sound Expo, learn from renowned engineers and producers presenting at The Recording Theatre and dig into specific aspects of post production, broadcast and AoIP in The Production Theatre.
All attendees are welcome to attend the AES Dublin Opening Ceremonies and other designated Special Events.
Additional convention programming includes Student and Career events, offsite Technical Tours of area production facilities, comprehensive papers, workshops and tutorials program, Audio Showcase events, and other AES-exclusive sessions hosted by industry-leading engineers and experts.
Visit aeseurope.com to register now and make plans to join us for the 146th International Audio Engineering Society Convention.
Posted: Tuesday, January 15, 2019
Attendees take part in Allen & Heath dLive training during AES@NAMM 2018
— Leading manufacturers offer in-depth real-world training, instruction, and evaluation of live sound technologies —
This year’s AES@NAMM Pro Sound Symposium: Live & Studio is set to bring the best in practical audio engineering education and insights to attendees at all experience levels. Taking place concurrently with The NAMM Show, January 24 – 27 in Anaheim, CA, this year’s AES@NAMM sessions will offer specialized Line Array Loudspeaker System Academy and Live Mixing Console Academy events giving attendees hands-on training with the latest technologies in sound reinforcement. Industry experts from leading brands Allen & Heath, Bose Professional, JBL, VUE Audiotechnik and Yamaha will be on hand to lead the interactive training sessions. Pre-registration for AES@NAMM Hands-On Training Academies is required for guaranteed seating.
Line Array Loudspeaker System Academy
Taking place all four days of AES@NAMM, the Line Array Loudspeaker System Academy offers an expert-guided introduction and interactive experience with line array technologies design, setup and implementation. Each of the presenting manufacturers will hold two-to-three-hour classroom intro-and-overview sessions of the featured line array technology, teaching the line array's design, theory and supporting software components in a small-group classroom format. A companion practical application session instructs mechanical assembly and electrical hook-up details for erecting an array from a portable line array tower, culminating in system proof and coverage confirmation with the use of pink noise and an evaluation track of music. Sessions for each of the four days feature the Bose ShowMatch, JBL VTX A8 and VUE Audiotechnik al-Class Line Array technologies.
Live Mixing Console Academy
The AES@NAMM Live Mixing Console Academy, also running all four days, will offer attendees a chance to interface with leading live digital console manufacturers and participate in hands-on operation of digital mixers and their latest software offerings and updates. Sessions hosted by Allen and Heath and presented by industry veteran Michael Bangs (Katy Perry, Eric Clapton, Aerosmith) include practical training such as the dLive House of Worship Masterclass, dLive Festival Mixing Masterclass and dLive Monitor Mixing Masterclass. Additional sessions from Allen & Heath offer dLive Certification and a console training session presented in Spanish.
Yamaha will also hold a complete schedule of Live Mixing Console Academy events featuring its RIVAGE PM10 and CL Series digital mixing consoles with hosts Chip Allen and Chris Hinson. Thursday and Friday will focus on the RIVAGE PM10 console, with sessions including an operational overview, presentations from guest speaker Scott Baldwin (FOH Engineer for Prince, The Fray, Lady Gaga and more) and a mixing lab both days. Saturday and Sunday will offer an in-depth look at the CL Series with sessions including an operational overview, mixing labs, and practical presentations for both beginning and advanced mixers for getting the most from their console and workflow.
AES@NAMM Pro Sound Symposium: Live & Studio Hands-On Training Academies pre-registration is available online, with a cost of $59 for the Digital Console Academy and $69 for the Line Array Loudspeaker System Academy. Complete schedule of presentations available online at aesatnamm.com.
About AES@NAMM Pro Sound Symposium: Live & Studio
While AES@NAMM attendees do not need a NAMM Show badge to participate in AES@NAMM or to access sessions onsite, our attendees, members and colleagues are invariably eager to also attend The NAMM Show. The Audio Engineering Society’s special arrangement with NAMM lets individuals obtain a separate NAMM Show Badge for the exclusive discounted price of only $50. Visit namm.org/thenammshow/2019/badges to register. Click “Register for an attendee badge” and enter promo code “AES@NAMM” at the top of the contact information page in your Attendee Profile.
AES@NAMM Access Passes do not include registration for The 2019 NAMM Show and vice versa; separate registration is required for each event.
To learn more about The NAMM Show and AES@NAMM sessions, please visit namm.org/thenammshow/2019/events/education/aes and to register for AES@NAMM Pro Sound Symposium: Live & Studio, go to AESatNAMM.com.
Posted: Thursday, January 10, 2019
The AES@NAMM Pro Sound Symposium: Live & Studio takes place January 24 — 27 during the 2019 NAMM Show.
Posted: Friday, January 4, 2019
The AES@NAMM Pro Sound Symposium: Live & Studio takes place January 24 — 27 during the 2019 NAMM Show.
— Live sound professionals to share best practices for implementing wireless and personal monitoring technologies in live production —
TheAES@NAMM Pro Sound Symposium: Live & Studiois set to demystify the full spectrum of wireless audio technologies and techniques with the return of the Entertainment Wireless Academy and In-Ear Monitoring Academy. AES@NAMM events, organized in topical Academies, offer a variety of educational opportunities led by top industry professionals, providing career-building insights and training for attendees at all experience levels. AES@NAMM takes place during The 2019 NAMM Show, January 24 – 27 in Anaheim, CA, in the NAMM U Education Center in the Anaheim Hilton, immediately adjacent to the pro-audio-centric exhibition in the new Anaheim Convention Center North Hall.
Entertainment Wireless Academy
With sessions all day on Thursday, January 24, and Saturday, January 26, hosted by wireless touring professional Ike Zimbel (Zimbel Audio Productions, Professional Wireless Systems/RAD),the AES@NAMM Entertainment Wireless Academy begins each day with a crucial Wireless Spectrum Update – a discussion of ongoing changes to wireless-frequency spectrum with Jackie Green (Audio-Technica/Alteros) and Karl Winkler (Lectrosonics). The days continue withclassroom instruction on recent wireless hardware innovations from leading brands. Products covered by these training sessions include the Shure Axient system with Tim Vear and Adi Neves;Lectrosonics’s Venue 2, Duet IEM, and WD with Kelly Fair and Karl Winkler; Alteros’s 6.5GHz GTX with Jackie Green; and the PWS IAS and the RAD UV-1G with Zimbel, who will also cover “Professional Wireless Antenna Types and Designs” in a separate session. These educational presentations include best practices in antenna systems and frequency coordination in light of current and future wireless spectrum realities. The complete AES@NAMM Entertainment Wireless Academy schedule is available here.
In-Ear Monitoring Academy
Taking place on Friday, January 25, the AES@NAMM In-Ear Monitoring Academy will be hosted by touring monitor mixer Mark Frink. The day begins with an IEM Fundamentals session with Frink and Dr. Michael Santucci (Sensaphonics) covering IEM best practices and examining the physiology of hearing and how in-ear monitors should be deployed to aid hearing conservation. This is followed by the session “Wireless IEMs and Spectrum Update” with Karl Winkler discussing analog vs. digital wireless monitor systems and the implications of changes in the available RF spectrum. The afternoon begins with “Choosing the Right IEM For Stage and Studio,” where Mike Dias (Ultimate Ears Pro) and Frink will educate attendees on IEM topologies including dynamic drivers vs. armature drivers, hybrid and multiple driver implementation, and custom fit vs. universal earpieces. The afternoon continues with the practical workshop “In-Ear Monitoring Advantages and Personal Monitor Mixing” with Mathias Von Hydekampf. The day concludes with the presentation “Workflows for Immersive Binaural IEM-Mixes Using KLANG:fabric” with Pasi Hara and Phil Kamp (KLANG). The complete In-Ear Monitor Academy schedule is available here.
About AES@NAMM 2019
The full AES@NAMM Pro Sound Symposium: Live and Studio2019 schedule and registration details are available online now at aesatnamm.com, including significant advance registration and AES member discounts. Attendees can register for all four days or for individual days, with separate registration available to ensure seating for the hands-on sessions in the Line Array Loudspeaker System and Live Mixing Console Academies.
While AES@NAMM attendees do not need a NAMM Show badge to participate in AES@NAMM or to access sessions onsite, our attendees, members and colleagues are invariably eager to also attend The NAMM Show. The Audio Engineering Society’s special arrangement with NAMM lets individuals obtain a separate NAMM Show Badge for the exclusive discounted price of only $25 through January 9, 2019. Visit namm.org/thenammshow/2019/badges to register. Click “Register for an attendee badge” and enter promo code “AES@NAMM” at the top of the contact information page in your Attendee Profile.
AES@NAMM Access Passes do not include registration for The 2019 NAMM Showand vice versa; separate registration is required for each event.
To learn more about The NAMM Show and AES@NAMM sessions, please visit namm.org/thenammshow/2019/events/education/aes and to register for AES@NAMM Pro Sound Symposium: Live & Studio, go to AESatNAMM.com.
Posted: Monday, December 17, 2018
