Job Title: Media Engineer
Company:
Teampeople
Status: Fellow
Member since: 1996
Standards Committees: SC-02-12 (Audio Applications of Networks), SC-02-12-H (AES-X192), SC-02-12-P (Broadcast and Online Delivery)
Primary Section:
Central Texas
Company Website: https://www.teampeople.tv/
Other Professional Website: https://www.facebook.com/AESCenTex/
Facebook Address: https://www.facebook.com/audiojay
LinkedIn Address: http://www.linkedin.com/in/jayyeary/
Twitter Name: @audiojay
Jay Yeary is an audio engineer specializing in broadcast and media. His professional experience includes FOH, live broadcast mixing, sound design, music editing, and technical broadcast engineering. He was the author of the "Inside Audio" column for TV Technology Magazine for five years.
Jay assisted in the restart of both the Atlanta and Central Texas sections, and twice served as chair of the Atlanta AES section.
In 2014, James Yeary was presented with the AES Fellowship Award in recognition of his outstanding leadership, service, and dedication to the AES Atlanta Section, and for achieving quality audio projects at Turner Studios over a long period.
Emmy Award for Outstanding Collaborative Achievement in Audio "The Braves Do It"
Emmy Award for Outstanding Achievement, Television News Excellence in Audio "First Down By A Nose"
Emmy Award for Outstanding Achievement, Television News Excellence in Audio "TV Violence Special - Open"
Emmy Award for Outstanding Collaborative Achievement in Audio "College Football Campaign"
English/Engineering - Georgia Perimeter College, Atlanta, GA
2022-present: Media Engineer - Teampeople
2021-2022: Media Engineer - ESPN/Longhorn Network
2017-2020: System Designer/Estimator - Ford Audio-Video
2015-2016: Chief Engineer at JHM
1988-2014: Dir of Audio/Studio Eng - Turner Broadcasting System, Inc.
1987-1988: Radio Producer - Real Life Media
1984-1987: Senior Audio Engineer - WOF TV
1977-1984: Audio Engineer - PTL
Musician, Listener
No other professional organization gives such immediate access to education and personal involvement as AES. Thanks to AES I continue to learn more about the surprisingly broad field of audio and to meet incredibly interesting people doing amazing things.
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